Dr. Nicholas explained to Bored Panda that modern culture is a visual culture. Meanwhile, modern living meant finding yourself in an increasingly-dense but anonymous city. And that means that appearance becomes more important than ever. After all, when you’re a stranger to someone, they judge you by your appearance.

“So how one appears is often presumed to be who one is. Historically, the rise of the modern city was seen as the place of quick judgments on appearances in places that were crowded but also built for observation. Evaluation by one’s appearance, then, took on new importance. This has only intensified,” the history expert explained.

She pointed out that beauty is (at the same time) deeply personal, as well as culturally driven. That means that the beauty industry is relational to the consumer.

“It provides products and images for consumption and how consumers take those up largely determine its success. Beauty products and practices have to resonate with consumers, who are not simply dupes but often thoughtful and measured in what they want and can consume,” Dr. Nicholas said.

“Gaps in services and products lead to further innovation. Throughout the twentieth century, for example, women of color struggled to be appropriately represented and struggled to find appropriate products. In multiple ways, the industry was forced to grow and expand to respond properly to their needs. Black entrepreneurs often led the way,” she said.

It’s no surprise that some vintage beauty procedures, treatments, and practices seem strange to us now. “When dislocated from their context, what was typical in one time period seems strange in another. Today, we see the highly filtered, fully made up selfie as quite ordinary. When you pause to consider it though, it is interesting to think about how those reflect changes in technology (both digital and in cosmetics), as well as in dominant presumptions of what is considered beautiful. It can also be reflective of the democratization of techniques in lighting and makeup application that were historically reserved for insiders within modeling. Now, anyone can use them.”

Dr. Nicholas said that beauty is deeply interwoven with the wider social and cultural context. That means that it reflects more than just beauty itself. “Using X-rays for hair removal, for example, also reflects the fact that technology emerges before the full impact of its use is known,” she gave an example.

The history expert also told Bored Panda that we can expect some of the practices that we take for granted today to seem outdated and peculiar in the decades to come. “It’s quite ordinary today to inject a form of botulism into your face or to dress in the skin of another animal. Over time, though, as our collective beliefs and values change, these ordinary acts might come to be seen as extraordinary.”

What I find the weirdest, personally, is the size of the hairdryers in the past. They’re absolutely humongous and they look like something straight out of a sci-fi flick.

The very first hairdryer was invented in 1890 by French stylist Alexander Godefroy. His seated version had a bonnet that attached to none other than the chimney pipe of a gas stove. You read that right, dear Pandas! Imagine going to a beauty salon and being told to put one of those stove-connected bonnets on your head.

We got the very first handheld hairdryers around 1920 due to technological innovations at the time. However, these were nothing like our modern-day equivalent: they weighed around 2 pounds (that’s 0.9 kilograms) and were very difficult to use. They were also prone to overheating and electrocuted people from time to time.

Before you rush to poke fun at these vintage beauty practices, keep in mind two things. First of all, even if something is trendy, far from every person follows the newly-minted flavor of the month beauty techniques.

Second of all, if you think that we’ve ‘advanced’ much beyond silliness, turn on the TV and flip to an infomercial channel! The things you’ll see there are just as weird (and maybe even weirder).