"I don't want to go where I'm going I just want to leave where I am. Around Wendover and Bonneville salt flats. UTAH. Through my urban sprawl series I am asking myself: am I leaving a city or entering a new environment?"

"I like to play/'mix' two approaches: The codes of the new topographics and the concept of in between-two states inspired by the anthropologist Marc Auge under the name of non-places. I like transitional places, like intersections or passages from one world to another, such as from a residential area to an industrial area. I also like the tourist places altered by the human trace."

"We often find this feeling of emptiness, of visual paradox by traveling throughout the United States. The transition from one site to the next: You have arrived and at the same time you have never left. I believe that the expansion of the urban or industrial landscape in the American natural landscape has redefined this space and has become a non-place."

"In my artwork, there is no judgment, no denunciation, only the picture itself. If I could sum up the common theme of my photos, it would be about emptiness, about silence. My pictures try to extract from the mundane urban landscape a form of estheticism. Where most people only pass through, I stop and look for some form of poetic beauty. I like repetition, I like series, and I like driving around."

There are several common threads woven throughout Emmanuel’s photography. First, he only uses square frames to create a strong focus on the subject, and second, his photos always contain manmade structures or objects, but never any actual people. These two elements combine to cause viewers to perceive a deep void in the photos; an almost post-apocalyptic sense of isolation. By displaying structures humans built to serve their own needs, but in a rare state of absolute idleness, Emmanuel creates an eerily disconcerting environment. Looking at the photos, you can almost hear the chilly silence that’d accompany them.'

''Trained as a painter, Emmanuel Monzon is mindful of the grey texture of his photographs. His empty landscapes reflect his attachment to forms and colours, giving them space to be heard. To me, the series exhibited at Charbon art Space echoes both the human loneliness and the power of things against a lost American backdrop. This shadow looks like a calm rain of grey while one can hear the rustling leaves of the tree…'' (Caroline Ha Thuc, contributor ArtPress Magazine).