In the piece “Horns and Glory,” we see purple flower buds (Morning Glory) intertwined with horns of bulls and goats on a fractured background with sharp metal strips. Lisa spoke of her inspiration: “These flowers with hallucinogenic properties are often found in impossible places, amidst concrete or along highways. They are tough survivors. The flower, with its intrinsic survival instinct, symbolizes the power of nature to thrive, even in the most challenging circumstances. The bull and goat horns embody the resilience and determination of animals to adapt to their environment and/or stand their ground despite human intervention and exploitation. The relationship between nature and human perception is explored, blurring the boundaries between reality and imagination.”

Alongside “Horns and Glory,” we see a piece featuring white lilies, “Lilies & Serpents,” in which snakes are concealed. Lisa emphasizes the contrasts between the enticing scent of the lilies and the threat of the snakes and sharp metal. The work is an exploration of contrasts and dualities. To contemplate the paradoxical nature of this composition—the alluring scent of the lilies, inviting closer examination, juxtaposed with the threat of hidden snakes and sharply curved metal, warning of potential danger and harm.

Lisa’s works are not static representations but complex constructions, as she cuts dibond prints into pieces and reconfigures them to create new layers of meaning. “It’s a raw disruption, but also quite satisfying to cut through that intensely crafted work with a saw. And meditative.”

Survival Strategy

Lisa’s work always revolves around resilience and survival strategy. That was also the theme she started with for this nature work. “Before this, I made many portraits. In them, I depicted the complexity of human identity and the various ways individuals protect themselves and adapt to challenging environments. From starlets who use their sexual allure to thrive in a venomous environment to child soldiers who wield their weapons to survive.” With this new collection, her focus shifts from humans to nature: animals, plants, and flowers… which, like humans, constantly evolve in their survival strategies.

We then approach a piece called “Panther & Tiger descending,” climbing down a tree with vines, heading towards prey. Behind them, an orchid is visible. “It’s not clear who will win, who will get the prey. The conflict, the survival of the toughest, is imminent. The orchid as a backdrop is a very tough plant, a sign of resilience and adaptability. The work is a glimpse into the eternal struggle for survival and confronts the viewer with the thrilling question: who will triumph?”

The last piece we see is called “Grip of Confusion.” “This work depicts a black panther restraining a sleeping or wounded girl and a leopard shielding a wounded boy. Are the children prey or are they being protected?” “Grip of Confusion” refers to the bewildering paradox inherent in the scene: on one hand, these majestic animals are protectors of their species, but on the other, they are forced to subdue those whose actions lead to the widespread extinction of their kindred.

Through this symbolism, viewers are invited to contemplate the consequences of human encroachment on wildlife habitats and the resulting conflicts within the natural order. The tension depicted in the artwork is like a poignant reminder of our responsibility to coexist harmoniously with the creatures that share our planet.

Ultimately, “Grip of Confusion” urges us to question our relationship with the environment and the ethical implications of our actions.

Her focus on resilience and strategy is consistent throughout her entire body of work, from portraits to her recent exploration of natural elements. The shift from human to natural motifs in Lisa’s work illustrates her ongoing evolution as an artist. Always embodying the struggle for survival, she challenges the viewer to reflect on resilience and adaptability.

Since graduating from the Willem de Kooning Academy in 1990, Lisa has always experimented with different forms and techniques but remains fundamentally a draftsman. Her current collection, with its spontaneity and energy, marks a new phase in her artistic journey.