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I am Butcher Billy and I'm an illustrator and designer based in Curitiba, Brazil. I've worked with Netflix, Marvel, Black Mirror, Honda, Warner, Amazon Prime, Playboy, Stranger Things, New York Times, Universal Music and others.

This is the latest art series in my ongoing project with post-punk, goth and new wave bands from the late '70s/early '80s. This time I'm imagining a multiverse in which the protagonists of black and white cult film classics, from celebrated directors, are replaced with my favorite frontmen and women in music. Each piece will include seminal songs or lyrics that strangely may or may not have taken inspiration from those films.

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#1

Robert Smith From The Cure In David Lynch's Eraserhead (1977)

Robert Smith From The Cure In David Lynch's Eraserhead (1977)

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    #2

    Nick Cave And The Bad Seeds In Orson Welles' Citizen Kane (1941)

    Nick Cave And The Bad Seeds In Orson Welles' Citizen Kane (1941)

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    #3

    Ian Curtis From Joy Division In Ingmar Bergman's The Seventh Seal (1957)

    Ian Curtis From Joy Division In Ingmar Bergman's The Seventh Seal (1957)

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    #4

    Devo In George Melies' A Trip To The Moon (1902)

    Devo In George Melies' A Trip To The Moon (1902)

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    #5

    Peter Murphy From Bauhaus And Debbie Harry From Blondie In Tod Browning's Dracula (1931)

    Peter Murphy From Bauhaus And Debbie Harry From Blondie In Tod Browning's Dracula (1931)

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    #6

    Siouxsie Sioux From Siouxsie And The Banshees In Josef Von Sternberg's Morocco (1930)

    Siouxsie Sioux From Siouxsie And The Banshees In Josef Von Sternberg's Morocco (1930)

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    #7

    Grace Jones In Fritz Lang's Metropolis (1927)

    Grace Jones In Fritz Lang's Metropolis (1927)

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    #8

    Dave Gahan From Depeche Mode In Charlie Chaplin's The Kid (1921)

    Dave Gahan From Depeche Mode In Charlie Chaplin's The Kid (1921)

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    #9

    Morrissey From The Smiths In Wim Wenders' Wings Of Desire (1987)

    Morrissey From The Smiths In Wim Wenders' Wings Of Desire (1987)

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    #10

    Boy George From Culture Club In William Dieterle's Peking Express (1951)

    Boy George From Culture Club In William Dieterle's Peking Express (1951)

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    #11

    Ian Mcculloch From Echo And The Bunnymen X John Ford's Fort Apache (1948)

    Ian Mcculloch From Echo And The Bunnymen X John Ford's Fort Apache (1948)

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    Frumpy The Gwynnch
    Community Member
    2 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    Perfect! Many of their songs evoke such a noir-ish cowboy feeling in me. Especially The Killing Moon. Omg: I rewatched Donnie Darko at my friend's place last week. That song, at the very beginning of the film, has been replaced!! By INXS!!!! It doesn't fit AT ALL, and ruined the whole thing for me. What's worse, the subtitles are still playing the lyrics from TKM. I wonder if it was a copyright dispute? But why would EATBM (omg I never realized that their acronym basically says "eat poo"!! Hahaha!!! B.M. is shorthand for Bowel Movement) .Why would they want their song taken out of such a modern iconic movie!?! It introduced a whole new generation to their music! My friend is actually one of my best friend's daughters, so two generations: millenials and gen Z! If it was a case of copyright, it was probably the record company, or whomever bought the rights to that album if/when the original label folded. EATBM probably don't even own their masters from that time. Sigh.

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