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How Covid-19 Made Me Start A New Collage Project Dedicated To Famous And Less Known People
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How Covid-19 Made Me Start A New Collage Project Dedicated To Famous And Less Known People

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I’ve dealt with digital collages before, but then lost sight of the subject for a few years. But with the outbreak of the Covid-19 pandemic and the related cancelation of all outside activities related to my watercolor painting, such as workshops and festivals, it was time for me to deal with something else again. In any case, I had planned a creative break from painting, after which I would go back to watercolor painting with a fresh wind in my sails. A few weeks earlier, I had already experimented with small collages in Photoshop, but did not take it too serious due to lack of time. Ultimately, a quote from Marie Curie, which I heard on the radio, was decisive for dealing with the collages more intensely. On the one hand, it very well suited the new situation that the virus brought about us, on the other hand, I was interested in the biography of Marie Curie, whose name I knew, but actually knew nothing more about her. So the first one of the collages was created on March 20th, 2020 and it was so much fun that I decided to make a whole series of collages. Since then, a new collage has been created almost every day and I have dealt with the biography of another personality relatively intensively every day. The selection of the people presented here does not follow a scheme. Some of these people came to mind immediately and seemed worth taking care of for a day.

I came across other people by chance on the Internet because I “got stuck” on her face while searching for pictures on the Internet or because I read an interesting article about them. The basic requirement for every one of them, however, was that there is public domain picture material for the respective personality – usually these are people who have died a long time ago. For this project I mainly used the internet as a source of images and information. In addition to Wikipedia, the Library of Congress and the Digital Collection of the New York Public Collection were particularly helpful to me. However, image search is often very tedious and takes a lot of time. In my night shift, I mostly researched for material, biographical information and quotes and then worked on the design of the respective collage on my computer at home during the day. I usually came up with an image and layout idea while doing my research. In addition to the photo material collected in this way, the collages use a lot of other things, for example scans of old magazines, old papers, postcards, foils, painted backgrounds, photos of structures and various textures, etc. It is important to me to give my unique touch to my collages and to create an individual look from all the different materials used. Apparently I managed this quite well, because the response to the publications on various social media platforms was extremely positive and prompted me to design a book from the works created in the past few weeks. It is also important to me to get a paper version of the digitally created works.

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I have gotten to know a lot of personalities in the past few weeks, and even if only virtually, it was a nice balance to the current considerable contact restrictions in real life.

The book is available here: https://www.wieland-fineart.com/shop/books/please-do-not-bend-collage-carsten-wieland-vol-1/

More info: wieland-fineart.com

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    Carsten Wieland

    Carsten Wieland

    Author, Community member

    Read more »

    Hi everybody! I am Carsten Wieland – an artist and watercolor painter from Germany. I have been creative working my entire life, but I first had to quit my job as a freelancer to discover my passion for watercolors. After a good 20 years as a freelancer in illustration, comic books and computer game design, I decided to turn my back on commercial graphics in 2011 and from now on only deal with art out of pure passion. After a multi-year excursion into 3D photography, I rediscovered watercolor painting in 2015 and have created many hundreds of watercolors since then. The hobby quickly developed into more and today I give watercolor workshops, write books on the subject, shoot videos and take part in numerous exhibitions all over Europe. I find my motifs in my surroundings, but above all in my memory. Especially the old and abandoned houses that I discovered while traveling through the USA have become a recurring motif in my watercolors. My focus is not on the detailed reproduction of what I have seen, but on the reinterpretation, in which the original motif only provides the impetus for the creative process. Since 2018 I can also be found at various watercolor festivals in Europe and enjoy painting demonstrations in front of a specialist audience, where I can demonstrate my very individual watercolor technique. After filling hundreds and hundreds of sketchbook pages with small watercolor sketches of abandoned houses and fairy landscapes I painted my first full-sheet watercolor in April 2016. Although this first attempt was pretty clumsy I got an idea what watercolor should be: Freedom! And the painting process should be liberation of the mind and a pleasing experience. The spiritual experience during the painting process is much more important to me than a result of perfection. And I found out that the better the painting experience is the better the final watercolor will be. Painting in a large format allows me to bring my full body into a vibe and to enjoy a combination of physicality and spirituality during the creation process. When the brushes start to dance on the paper I know it will be a great experience. Although I love the motives I choose to paint I feel that it is much more important how I paint than what I paint. People tell me that I developed a pretty unique style in my paintings – but to be honest: I have never been thinking about my style. When I paint I try to let go all the thinking about this and that and I try to get rid of all my ambitions. There is enough time to be critical when a painting is finished – but when I paint there is only me, the brushes, the paints, the water, the paper - and everything that happens when these ingredients come together.

    Read less »
    Carsten Wieland

    Carsten Wieland

    Author, Community member

    Hi everybody! I am Carsten Wieland – an artist and watercolor painter from Germany. I have been creative working my entire life, but I first had to quit my job as a freelancer to discover my passion for watercolors. After a good 20 years as a freelancer in illustration, comic books and computer game design, I decided to turn my back on commercial graphics in 2011 and from now on only deal with art out of pure passion. After a multi-year excursion into 3D photography, I rediscovered watercolor painting in 2015 and have created many hundreds of watercolors since then. The hobby quickly developed into more and today I give watercolor workshops, write books on the subject, shoot videos and take part in numerous exhibitions all over Europe. I find my motifs in my surroundings, but above all in my memory. Especially the old and abandoned houses that I discovered while traveling through the USA have become a recurring motif in my watercolors. My focus is not on the detailed reproduction of what I have seen, but on the reinterpretation, in which the original motif only provides the impetus for the creative process. Since 2018 I can also be found at various watercolor festivals in Europe and enjoy painting demonstrations in front of a specialist audience, where I can demonstrate my very individual watercolor technique. After filling hundreds and hundreds of sketchbook pages with small watercolor sketches of abandoned houses and fairy landscapes I painted my first full-sheet watercolor in April 2016. Although this first attempt was pretty clumsy I got an idea what watercolor should be: Freedom! And the painting process should be liberation of the mind and a pleasing experience. The spiritual experience during the painting process is much more important to me than a result of perfection. And I found out that the better the painting experience is the better the final watercolor will be. Painting in a large format allows me to bring my full body into a vibe and to enjoy a combination of physicality and spirituality during the creation process. When the brushes start to dance on the paper I know it will be a great experience. Although I love the motives I choose to paint I feel that it is much more important how I paint than what I paint. People tell me that I developed a pretty unique style in my paintings – but to be honest: I have never been thinking about my style. When I paint I try to let go all the thinking about this and that and I try to get rid of all my ambitions. There is enough time to be critical when a painting is finished – but when I paint there is only me, the brushes, the paints, the water, the paper - and everything that happens when these ingredients come together.

    Vėjūnė Rimašiūtė

    Vėjūnė Rimašiūtė

    Author, Community member

    Read more »

    Vėjūnė is a community manager who helps artists all over the world introduce their artwork to Bored Panda readers and in that way, become more popular. Since she was always fascinated by the art world, she studied Culture Management and Cultural Policy at Vilnius Academy of Arts where she expanded her knowledge about it. Now she's using all this knowledge to showcase its beauty and help others dive into the fascinating world of art.

    Read less »

    Vėjūnė Rimašiūtė

    Vėjūnė Rimašiūtė

    Author, Community member

    Vėjūnė is a community manager who helps artists all over the world introduce their artwork to Bored Panda readers and in that way, become more popular. Since she was always fascinated by the art world, she studied Culture Management and Cultural Policy at Vilnius Academy of Arts where she expanded her knowledge about it. Now she's using all this knowledge to showcase its beauty and help others dive into the fascinating world of art.

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