In an interview with us, Edas Wong reflects on how the bustling environment and vibrant surroundings of Hong Kong have impacted his work, emphasizing the distinction between content influenced by the external world and the personal perspective shaped by deeper, individual factors:

"I think the environment and surroundings only affect the contents/elements of artwork and how often a creative idea can be triggered, but not perspective. Perspective depends on the individual and is also influenced by culture, education, morality, etc."

Discussing his early days and the evolution of his craft, Wong credits the diverse and talented community of photographers he encountered in online groups for expanding his understanding of street photography:

"There were many good photographers there, and I learned a lot of concepts from them. I didn't admire any specific photographers."

Wong talks about the significance of having a reliable camera that acts as an extension of the photographer, capturing the envisioned details and moments, while also highlighting the paramount importance of observation in his work, "Yes, observation is key. The camera is our partner, and it needs to be reliable and able to reproduce the effect you expect. I am using Leica Q3, which captures all the details I want."

He shares a tense moment that underscores the ethical and practical challenges of street photography, especially when capturing images of strangers without intrusion or conflict: "Sometimes bravery is needed. I remember once, after I took a photo in the subway, two guys approached me, pushed me to the wall, and asked me to delete the photo because they were in the frame. In the end, I deleted the photograph..."

The photographer also provides insight into his post-processing routine, revealing that he spends a minimal amount of time on this phase, focusing primarily on cropping to enhance the composition and draw attention to the subjects. "Less than 10% of my time. That time is mainly spent on 'cropping' to emphasize the targeted objects."

On the topic of inspiration, Wong dismisses common misconceptions, attributing his creative spark to a state of heightened observation and mental clarity, rather than to forced thinking or external stimuli, "Inspiration does not come from thinking or drugs. It comes from concentrated observation. When the mind is empty and highly concentrated, creativity will then boom."

He candidly discusses the unpredictable nature of capturing compelling street photographs, where preparation meets opportunity, and the elusive 'perfect shot' often hinges on serendipity, "Capturing a good street photo is very complicated. You need creative ideas and coincidental moments... The answer is that it is NOT impossible to ever happen and completely depends on luck!"