Master cinematographers approach every frame as an opportunity to convey the feel of the scene. And one of the things that really helps them to achieve it is composition—the way elements (actors, scenery, props, etc) are placed on screen in respect to each other and within the frame itself has a huge impact on our viewing experience.
To show the brilliance behind a frame's layout, Raymond Thi of Composition Cam analyzes visually stunning films, adding simple, bold lines to demonstrate triangles, quadrants, and other geometric shapes that please our eyes.
As you will see, some pictures use the grid method to create balanced frames while others focus on a central character instead. Many of these films feature relatively simple compositions too, proving that a few elements can make a lasting impact. If you know how to use them.
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Blade Runner 2049
Film director and cinematographer (a combo that makes her a rare breed), Elena Rossini, appreciates Thi's work, putting the spotlight on frame composition. "Whenever people discuss the work of great directors, they often fail to mention the art of cinematography," she told Bored Panda. "But for me, it is truly essential and is what separates good from masterful directors. After all, film is a visual art."
Rossini's favorite filmmakers are also those who put a lot of effort into composition. "Stanley Kubrick, Wes Anderson, and Céline Sciamma [are probably at the top of this list]. 'Portrait of a Lady on Fire' was a masterpiece in my opinion, with every shot carefully composed as if it were a painting.
For her, the most successful compositions are those that help the storytelling, creating a sense of awe and wonder (Sciamma, Kubrick) or make you relate to a character (Anderson).
The Shining, Full Metal Jacket, Space Odyssey
The Silence Of The Lambs (1991)
Jodie Foster was on the Graham Norton show and she talked about how she and Anthony Hopkins never talked to each other until the shoot was done because they were both so afraid of the other.
"My favorite composition technique is the one-point perspective," Rossini said. "It's Stanley Kubrick's signature shot (I talked about it in my blog), where all the lines in the composition harmoniously converge to a point in the distance. It is no coincidence that Kubrick's shots are so beautifully crafted, as he started working as a photographer and then made the transition to cinema."
Since the filmmaker also admires Wes Anderson, Rossini loves his high-angle POV shots "as they put you in the shoes of the characters, creating an added sense of intimacy."
If you would like to try these composition techniques for yourself, Thi has created an app that applies these lines to your iOS device.
Stranger Things
Star Wars: Episode Iv - A New Hope (1977)
From 'Sherlock'
Actually, on the 8th pic (second from below), the focal point is the picture on the wall, not the ground.
The Simpsons
Get Out (2017)
Her (2013)
Isle Of Dogs
I’m not a huge animation fan, but I liked this so much, that I was quite interested in a second viewing.
Twin Peaks (The Return, Part 2)
Yojimbo (1961)
Moonrise Kingdom (2012)⠀
Fantastic Mr. Fox (2009)
Oldboy (2003)
500 Days Of Summer (2009)
The Grand Budapest Hotel" (2014)⠀⠀
Reservoir Dogs (1992)⠀
The King's Speech (2010)⠀
Birdman (2014)
Rule Of Thirds In Star Wars (Original Trilogy)
"Selma" (2014)
Drive
The Lord Of The Rings: The Fellowship Of The Ring (2001)
I've seen this movie a dozen times, and I never realized how perfectly framed that shot is before! I need to keep my eyes open for this.
Black Swan (2010)
A Clockwork Orange (1971)⠀
Um... Am I missing things? Maybe I just don't understand this thing because it's pretty obvious to me that the group is the center of perspective??? !!!
Full Metal Jacket
I'm learning from all this that there are about five things that filmmakers do over and over and over.
The Neon Demon
Okja (2017)⠀
Uh... what was everybody thinking? That those scenes happened randomly? Don't see the purpose of this post.
Exactly. I mean... many of these simply follow the rule of thirds, something every photographer, cameraman and director studied... as well as halving the image and golden ratio.
Load More Replies...I'm with you Aragorn. These shots just seem to me like what anyone would naturally do - on in the case of the hallways/rows of things, just now perspective works.
Load More Replies...Uh... what was everybody thinking? That those scenes happened randomly? Don't see the purpose of this post.
Exactly. I mean... many of these simply follow the rule of thirds, something every photographer, cameraman and director studied... as well as halving the image and golden ratio.
Load More Replies...I'm with you Aragorn. These shots just seem to me like what anyone would naturally do - on in the case of the hallways/rows of things, just now perspective works.
Load More Replies...