People Share 50 Plot Clichés They Just Can’t Get Enough Of, No Matter How Painfully Often They’re Used
Interview With AuthorThere are two book-and-film-loving wolves inside of us. The first needs an original storyline, good acting, engaging dialogue, and believable, logical worldbuilding. The second one likes cuddling up under a blankie with a tub of ice cream and enjoys cheesy plotlines and story tropes they’ve come to know like close friends. The wolf you feed the most popcorn wins in the end.
Internet personality Laura Crone started up a very interesting thread on Twitter when she asked her followers to share their favorite plot cliches. And the responses were so awesome, we couldn’t wait to share them with you, Pandas.
Scroll down and read the best tweets about which story tropes people enjoy the most, even though they’re far from original, and let us know in the comments what cliches make your heart beat faster.
We’ll let you in on a little secret: we absolutely love it when the protagonist overcomes all the challenges along the way through effort and willpower, learns to embrace their flaws, and saves the day. It’s the Hero’s Journey for us, and we don’t mind how cheesy it sounds. We're also huge fans of characters charging against the forces of evil with the odds stacked against them. It's the struggle against the encroaching darkness that's the real victory. And it's scenes like this that get us through hard times.
Haven’t you heard? The good guys win in the end. And we love that so much, it's unreal.
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Image credits: downwithlcc
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Laura, who started the viral thread, was kind enough to share her perspective on cliches with us, and gave an insight into what sparked the idea for the Twitter post in the first place. Bored Panda also wanted to get to grips with cheesy tropes a bit better, so we got in touch with Doug Murano, who told us why audiences enjoy structure and shared his thoughts about originality in stories. Doug is a Bram Stoker Award-winning editor, as well as the founder of Bad Hand Books. Read on for both interviews.
"I recently caught up on Stranger Things and I was talking to my mom about it. There was one particular plot point that she didn't like very much because it felt saccharine to her. I totally agreed that it was a little hokey, but I loved it, partly because it was kind of hokey, and there are similar moments in a lot of other stories that I really like for similar reasons," Laura told Bored Panda.
"So I fired off a tweet about it in a more generalized sort of way, and clearly I wasn't alone. Twitter can be an overwhelmingly negative space, so I think being actively prompted to talk about stuff you like can be really refreshing," she said, and we definitely agree.
In Laura's opinion, there's a certain satisfaction that comes with recognizing something familiar in a new setting, as well as being able to predict how things will play out in this fresh context. "That was part of why I liked that moment in Stranger Things so much. I felt like I'd noticed it being foreshadowed since the second season, and seeing that pay off just feels good, like putting the last piece in a jigsaw puzzle," she told us.
"It can make for a more active and engaged audience experience, and it can make you feel kind of smart that you noticed it and figured it out," Laura noted that cliches can give the audience a certain amount of satisfaction as we're able to puzzle the narrative out based on clues.
In Laura's opinion, the word 'original' is "pretty slippery" when we're thinking in terms of stories. "I think in the context of fiction, and especially pop criticism of fiction, it tends to get used in a way that suggests that basically any use of a familiar cliché or trope is inherently not original, and I think that totally overlooks that using those story elements in fresh or innovative ways is a really meaningful kind of originality," she said.
"Some amount of originality is what makes a story feel unique, but some amount of familiarity is what makes it feel like a story. I think you need both," Laura said.
Leon the Professional was a brilliant movie (going off the poster for this post).
"I think audiences enjoy cliches and tropes because human beings crave structure. We like to be surprised in small doses, comforted in large ones. Most of us don't like to be challenged when we're simply out to have a good time," Doug shared with Bored Panda.
"A plot structure dependent on tropes helps to set an audience's expectations inside something familiar and provides the equivalent of comfort food. Taking it a step further, when cliches and tropes are wielded deliberately and with some skill—I'm thinking about the Marvel cinematic universe in particular—they can achieve the power of ritual, which is something else human beings crave."
According to Doug, the founder of Bad Hand Books, there are no new stories. It's all been done before!
"It's the perspectives that matter," he said. "In other words, there are only so many plots, but an infinite number of perspectives."
Editor Doug said that creators ought to lean into that. "Don't worry if your story beats seem familiar. Tell that story from the perspective and worldview only you can provide. That's why encouraging diversity in the arts is so vital—we need fresh perspectives to renew old stories."
Laura’s post resonated with a lot of Twitter users. At the time of writing, her thread had 38.1k likes. But what stole the show was with how much enthusiasm people gushed about all the plot cliches they’ve grown to know and love.
We might know a twist is coming. We might know how cringe a certain trope is. However, they make us happy. And that, dear Pandas, is all that really matters at the end of the day. If you’ve got a huge smile on your face, if you feel grateful for the existence of entertainment on Planet Earth—whether in book or film form—we call that a huge win.
Besides, originality can be quite overrated. There’s nothing new under the sun. And while we might combine various tropes into unique combinations, what really matters is telling a good story.
You can tell an amazing story using cliche after cliche. So long as the characters are three-dimensional, the writing shines, and the story beats set a good rhythm, it doesn’t really matter if you suspect where the story’s going.
This trope feels really familiar, but I can't think of any movie/TV show it's in. Help please :/
That moment in Endgame when Sam comes in and like 'On your left'. I mean damn I screamed so hard. I don't care whoever says Superhero movies are stupid. I'm a Marvel stan through and through
There's a great spoof of this by Wallace and Gromit, I think it's in The Wrong Trousers.
At the same time, just because (you think) you’ve created a completely original plot doesn’t automatically make it worth the audience’s time. The way you present the story, how you edit it, what you focus on can make or break everything. Originality means nothing if you don’t have the skills to make the story come to life. Is it a diamond in the rough or just a lump of coal?
Fun fact: Stan Lee didn't envision Magneto as a villain, more like an anti-hero.
Magneto's origins have always been so damned tragic, I'm surprised he has a kind bone in his body.
Load More Replies...Or go back and forth several times, like Tony Stark and Steve Rogers in the MCU.
Obi-wan and Anakin stuck with Dooku in star wars: clone wars was funny because of Obi-wan being hilariously witty on him and not slightly serious
Not everyone’s a fan of cliches, though. Or well, at least not certain ones. For instance, characters acting illogically all the time upsets quite a few cinephiles. Previously, Bored Panda spoke about cliches in movies with redditor RedstonekPL, who noticed that in a lot of movies, the main characters do a heck of a lot of dumb things.
“When that happens, I think to myself, ‘Man, if only they were a little bit smarter this would be a lot shorter,’” he said.
Love and Monsters is pretty much an entire movie based on that premise. Great movie. Highly recommend.
“In my opinion, there are 3 types of foolish characters. Some characters are foolish because without them the movie wouldn't exist. Some characters' foolishness is a part of their personality. And some characters sometimes do stupid things once or twice to make the viewer laugh,” the redditor shared their opinion with Bored Panda.
“There are some movies where not being dumb wouldn't be boring, but there are some films, where one or two foolish actions are required to even start it. A good example for the former is a stereotypical horror film where some characters enter some kind of an abandoned house and then read out loud some kind of ancient curse or whatever from a book with a note saying, ‘Do not open,’ and then get attacked.”
Another example of this would be horror movie protagonists being warned not to enter a haunted house, yet they do it anyway. Though if they didn’t act dumb, there would be no movie.
My Cousin Vinny, when Marisa Tomei knows more about cars than the "expert". Awesome
“To be honest, I'm a person who would rather watch a TV series rather than a movie. When I do watch one, it's a comedy, so being stupid is basically required. I just want to tell everyone, that y'all should watch anything you want, don't let anyone insult you for what you watch,” the redditor pointed out that we shouldn’t be ashamed of the movies we like, no matter how cliched or ‘dumb’ the characters are.
Meanwhile, aspiring filmmaker, redditor Thats_What_Sh3_Sa1d, told Bored Panda earlier that it’s the dialogue and the movie effects that determine whether a movie project will be successful or not.
“The line between a good and a bad movie depends on dialogue, whether or not the lines that characters say to each other makes sense or contributes something to the film, whether or not the CGI or maybe the VFX looks good or not because that really makes an impact on a movies likeability, at least for me," they said.
If it's an american movie, AND it's not john wick 1, you know the dog survives.
"And of course if it has a good backstory, if it's really going to catch your attention, that also plays a part in a movies likeability.”
According to the aspiring filmmaker, some filmmakers make the same mistakes over and over again because they haven’t yet developed a sense of good taste.
End of John Wick when they...wait...I don't want to do spoilers for anyone who hasn't seen it.
"The people making the movie either don't know what makes a good movie, or they think that a bad movie is a good one. Now again, I'm not saying that I'm a movie critic and I know everything there is to know about film, but I, and most people I think, know a bad film when they see one, and maybe some people don't. And in my opinion, for the situation to be able to change, the people making the movie should be informed as to what makes a good film rather than what makes a bad film," they told us.
oh you mean those archaeology movies where a box or disc or something is actually a key
this one is so obvious that when my kids see an action movie and there's a handsome guy/girl that appear in the movie at some stage they are like "oh yawn those two are going to get together" and these are small kids.
clicketyclicketyclicketyclickety "I'M IN!! Now let's reroute the ENCRYPTIONS... and... You're clear guys, GO!"
The harry potter prophecy twist: he has to "die" to kill voldemort.
Yes, and no one ever coughs just like that, either. In movies it means the person will be very ill (and/or dead) very soon.
Alt:a fight scene with odd not quite there music i.e. a massive fight with kids singing happy birthday or swan lake music
I love spotting the Chekhov's Gun in the first act of whatever movie. You know, the seemingly innocuous object/concept that in the end, turns out to be the ONE thing that can destroy the Alien Mothership / Evil Robot / Doomsday Weapon etc.
This might just be the 90s influence but I do like a good narrator, or even one that's a bit antagonizing. Not just there to tell the story but to banter with the protagonist/antagonist. The perfect examples are George of the Jungle and Dudley Do Right. It just takes the comedy to a whole next level.
honestly, most of the tropes in buffy. im a sucker for "crowning moment of awesomeness" tho.
The group of misfit underdogs that saves the day (Star Wars, Hackers, Tank Girl). The convoluted, comedic murder mystery (Murder by Death, Clue). The mismatched heroes (Independence Day, Willow, Ladyhawke).
This is going to sound so incredibly stupid and shallow, but you know the Victorious pilot? Where Tori is just a regular, mediocre person who has never sung a note in her life, but when she's forced to go up on stage she absolutely KILLS IT. That scene never fails to give me chills, not to mention a huge energy boost. I LOVE LOVE LOVE that kind of plot. The reason this seems to stupid and shallow to me is that I already was WAY too old for that show when it came out (an adult, yes), not to mention that it's just an extremely superficial show written by Dan Children's Feet Schneider, filled with cheap *cough* "music" (though you have to admit, Jade's You Don't Know Me kicked a*s!). Ah what the heck, I feel what I feel. :-D
maybe I missed it, but you left out the whole collection of sci-fi Time Travel cliches... I am so sick of them, I won't have anything to do with a Time Travel story... Exception: all rules have exceptions, the exception here is when the characters are pure fun like Marty McFly and the Doc... I can watch that one again...
I'm a sucker for silly, bumbling villains. Like, they want to be evil so hard, and yet they're so bad at it they end up being more likeable than the actual protagonist. Whatever you call the exact opposite of an anti-hero
I like the one when the main villain is defeated, he turns (one of) the protagonists into a stronger villain, and then the good guys have to fight to bring him back. My fav is (Spoiler alert) Demon Slayer.
My favourite one is definitely "gruff emotionally shut-in loner with a dark past forms a powerful bond of love or friendship which he initially resists, and so gets another chance at life and happiness". I've written it myself more than once.
I like it when someone moves into a creepy old house and has to solve a mystery about the previous residents.
Seems to be more of a TV thing than a movie thing, but I really love watching the episodes where the main characters get arrested and 'because of reasons' can't explain/get anyone to believe that they're innocent, and you're sitting there watching like 'Oh s**t yeah I can totally see how these guys look guilty as all hell'. Think Supernatural, MacGyver, etc.
I love the moment where the hero is tied to a chair / shackled etc. and is temporarily at the mercy of the villain. The cheesy power dynamic thing is my thing!
Mine:loopholes. The goody good character just says this line and you're like ho-ly s**t. A:I thought the Bible said you're not allowed to kill .B:it is however somewhat fuzzy on the subject of kneecaps
I'm a sucker for 'breakfast club' trope. My favourite version of this (other than the original movie) is the Degrassi Next Gen episode.
My husband has things figured out. In movies or TV shows, when there's a bad guy to be found, it's always a character that has no background story. Somebody who shows up for a minute or two at the beginning or middle of the story. He's hardly ever wrong.
I love spotting the Chekhov's Gun in the first act of whatever movie. You know, the seemingly innocuous object/concept that in the end, turns out to be the ONE thing that can destroy the Alien Mothership / Evil Robot / Doomsday Weapon etc.
This might just be the 90s influence but I do like a good narrator, or even one that's a bit antagonizing. Not just there to tell the story but to banter with the protagonist/antagonist. The perfect examples are George of the Jungle and Dudley Do Right. It just takes the comedy to a whole next level.
honestly, most of the tropes in buffy. im a sucker for "crowning moment of awesomeness" tho.
The group of misfit underdogs that saves the day (Star Wars, Hackers, Tank Girl). The convoluted, comedic murder mystery (Murder by Death, Clue). The mismatched heroes (Independence Day, Willow, Ladyhawke).
This is going to sound so incredibly stupid and shallow, but you know the Victorious pilot? Where Tori is just a regular, mediocre person who has never sung a note in her life, but when she's forced to go up on stage she absolutely KILLS IT. That scene never fails to give me chills, not to mention a huge energy boost. I LOVE LOVE LOVE that kind of plot. The reason this seems to stupid and shallow to me is that I already was WAY too old for that show when it came out (an adult, yes), not to mention that it's just an extremely superficial show written by Dan Children's Feet Schneider, filled with cheap *cough* "music" (though you have to admit, Jade's You Don't Know Me kicked a*s!). Ah what the heck, I feel what I feel. :-D
maybe I missed it, but you left out the whole collection of sci-fi Time Travel cliches... I am so sick of them, I won't have anything to do with a Time Travel story... Exception: all rules have exceptions, the exception here is when the characters are pure fun like Marty McFly and the Doc... I can watch that one again...
I'm a sucker for silly, bumbling villains. Like, they want to be evil so hard, and yet they're so bad at it they end up being more likeable than the actual protagonist. Whatever you call the exact opposite of an anti-hero
I like the one when the main villain is defeated, he turns (one of) the protagonists into a stronger villain, and then the good guys have to fight to bring him back. My fav is (Spoiler alert) Demon Slayer.
My favourite one is definitely "gruff emotionally shut-in loner with a dark past forms a powerful bond of love or friendship which he initially resists, and so gets another chance at life and happiness". I've written it myself more than once.
I like it when someone moves into a creepy old house and has to solve a mystery about the previous residents.
Seems to be more of a TV thing than a movie thing, but I really love watching the episodes where the main characters get arrested and 'because of reasons' can't explain/get anyone to believe that they're innocent, and you're sitting there watching like 'Oh s**t yeah I can totally see how these guys look guilty as all hell'. Think Supernatural, MacGyver, etc.
I love the moment where the hero is tied to a chair / shackled etc. and is temporarily at the mercy of the villain. The cheesy power dynamic thing is my thing!
Mine:loopholes. The goody good character just says this line and you're like ho-ly s**t. A:I thought the Bible said you're not allowed to kill .B:it is however somewhat fuzzy on the subject of kneecaps
I'm a sucker for 'breakfast club' trope. My favourite version of this (other than the original movie) is the Degrassi Next Gen episode.
My husband has things figured out. In movies or TV shows, when there's a bad guy to be found, it's always a character that has no background story. Somebody who shows up for a minute or two at the beginning or middle of the story. He's hardly ever wrong.