Fantastic Mr. Fox

2009 | 1h 27m

Based on a popular children’s novel by Roald Dahl, Fantastic Mr. Fox was Wes Anderson’s first stop-motion animated film. Former thief-turned-newspaper-columnist Mr. Fox lives a comfortable life with his family but his past instincts keep resurfacing, until one day Mr. Fox gives in and goes on a robbing spree on three poultry farms in the vicinity. As the angry farmers demolish the homes of all the animals in the area and set up a trap for Mr. Fox, it is now up to him to outsmart them, save his family, and redeem himself among the animal community. Despite underperforming at the box office, the film received accolades from critics and was nominated for several awards.

Moonrise Kingdom

2012 | 1h 34m

On a fictional island of New Penzance, an orphaned boy scout Sam reunites with his pen pal Suzy. As the scouts, led by their Scout Master, the island police captain, and Suzy’s parents organize a search party to find them, the kids hide in a cave they call the Moonrise Kingdom. This coming-of-age comedy-drama was in many ways inspired by Anderson’s own preteen experience and memories. It also marked the director’s first collaboration with Edward Norton and Tilda Swinton, who’d go on to become his recurring actors.

The Grand Budapest Hotel

2014 | 1h 40m

The Grand Budapest Hotel is probably Wes Anderson’s most well-known film. Set in the era preceding World War II, it tells a story of love, loyalty, a mysterious death, a missing will, a found painting, a prison break, and a lot of Anderson’s signature subtle humor. Filming took place in eastern Germany, and the largest interior set representing the hotel was staged at a vacant department store. Studded with stellar performances from a 17-actor ensemble that included both Anderson’s long-time collaborators and new faces, the film was a success at the box office as well as with the critics.

Rushmore 

1998 | 1h 33m

Rushmore is a coming-of-age comedy-drama that tells the story of an unlikely friendship between an eccentric teenager with poor academic performance and an industrialist billionaire disappointed in his children. Their friendship escalates to rivalry over the affections of a widowed teacher, but later they reconcile. This film became a turning point for both Anderson and Jason Schwartzman who debuted as the teenager Max. It also marked a new stage in Bill Murray’s (billionaire Blume) career.

The Darjeeling Limited

2007 | 1h 31m

Another film by Anderson that explores the twists and turns of complex family dynamics, The Darjeeling Limited follows three brothers on their spiritual journey of self-discovery after a year-long estrangement following the funeral of their father. However the oldest brother, who was the initiator of this trip, has a hidden motive to find their mother they haven’t seen in many years. They travel aboard the exotic train through the Indian countryside, until two younger brothers start suspecting something and confront the oldest brother.

Isle of Dogs

2018 | 1h 41m 
 

In the not so distant future, canine flu breaks out all over Japan. As it can become contagious to humans, the mayor of one city decides to exile all dogs to an abandoned Trash Island. Six months after his decree was implemented, the mayor’s nephew Atari travels to the island, since then renamed the Isle of Dogs, to find his bodyguard dog Spots. While on the island, he finds a whole society of abandoned dogs and befriends them. In the meantime, a huge conspiracy is being uncovered in the city, the outcome of which will impact the destiny of all dogs.

The French Dispatch

2021 | 1h 48m

The latest in Anderson's filmography, The French Dispatch is—in the director's own words—“a love letter to journalists”. This anthology, comprising three segments, tells the story of the foreign bureau of a fictional newspaper. As its editor suddenly dies of a heart attack, he leaves behind a will, according to which publication of the magazine called The French Dispatch should stop immediately after the final issue sees the light of day. He also leaves very specific instructions as to what said final issue should include.

The Life Aquatic with Steve Zissou

2004 | 1h 58m
 

This comedy drama is dedicated to famous oceanographer Jacques Cousteau, who was well-known for his documentaries about marine life. The protagonist Steve Zissou is enraged by the untimely demise of his friend and team member Esteban du Plantier. Zissou claims that Plantier was devoured by a creature he calls the jaguar shark while they were working on a documentary project. Now Zissou is determined to find the creature and destroy it. Accompanied by a crew of mismatched characters, he sets out on his new underwater journey.

Bottle Rocket 

1996 | 1h 31m

Bottle Rocket marked Anderson’s directorial debut. Based on the director’s previous short film of the same name, it also launched the acting careers of Owen and Luke Wilson, who went on to become very frequent cast members in Anderson’s films. This crime comedy tells the story of two friends, where one tries to rescue the other from being institutionalized through an elaborate plan that includes several heists, among other criminal activities. Although the film didn’t perform well at the box office, it drew critics’ attention. Prominent Hollywood filmmaker Martin Scorsese named Bottle Rocket as one of his favorite movies of the 90s.

The Royal Tenenbaums

2001 | 1h 49m

The Royal Tenenbaums was Wes Anderson’s commercially most successful film until the release of The Grand Budapest Hotel. While family dynamics and crumbling marriages is a recurring theme in the filmmaker’s movies, here it becomes the main focus, as the audience navigates through the complicated relationships of the Tenenbaum family members and those around them. Anderson said that the initial idea came from his parents’ divorce when he was 12, though once completed, the script bore no resemblance to it. The film was shot in New York, although the crew avoided all possible visual connections that would identify the place, even going to the extent of changing street signs where necessary.