"My grandmother was working at the hospital from where the patients were taken. I have visited the hospital and found that although the story is known no memorial exists. The only official record seems to be a short paragraph in the Nuremberg report. So far I have found no record of the names.

Using a historical photographic process feels fitting for a project examining a historical event. An ancient pagan Latvian folk symbol is drawn on by hand in gold ink on each piece."

"It is impossible for me to look at these images without thinking about how the lives of these people ended. However, the project is primarily intended as a memorial. I wanted the images to hint at some more celebratory moments, to remember the lives lived before these people entered the hospital; before they died. Not knowing anything about the identities of the dead, I have tried to imagine each one as a unique, precious being, and give each back a little of the character stripped from them when they were murdered and reduced by history to a number on a list of nameless victims.

The project is the second in a trilogy looking at my family history, examining themes of cultural inheritance, identity, and intergenerational trauma."

Ketelaars is a British photographer from Brighton, UK. She has a BA and an MA degree in English Literature from Jesus College, Cambridge, an MSc in Social Science from the Robert Gordon University in Aberdeen, and a Diploma in Photography from City College, Brighton. She began her career as a journalist and her images have appeared on book, CD, and magazine covers.

In 2021 Ketelaars was selected as one of the Lensculture Critics’ Choice winners for her project "Windows" shot during lockdown in Houston, Texas, and in 2024 she was selected as a finalist for her project "The 544" in the Lensculture Art Photography Awards.

"For me, photography is like meditation: at once simple and complex. I use it as a way to explore and understand the world around me, but also to look inwards, to notice what I notice," Ketelaars shares.

The photographer's work has been displayed nationally and internationally, and she's represented by Trevillion Images & Getty, along with 35 North Gallery in Brighton. When Ketelaars is not taking photos, she enjoys hiking, reading, and hanging out with friends.