I will not have you without the darkness that hides within you. I will not let you have me without the madness that makes me. If our demons cannot dance, neither can we. Poem by Nikita Gill.

Vestrahorn is a beautiful mountain that appears almost to rise out of the sea. The scenery that blends in with it makes an impressive sight.

For the people of Taitung in Taiwan, the Bombing of Master Handan is the highlight of the annual Lantern Festival; it’s a cultural ritual I attend every year. While most spectators concentrated on the sedan chair, I noticed the firecracker thrower below, with the scene looking just like a battlefield.

Santiago’s financial district is known as Sanhattan – a term coined in 1995 by the editor of newspaper La Nación, when he compared the high-rise developments in the neighbourhood of El Golf with those of Manhattan. Over time, the term made its way into common parlance.

Volleyball is the national sport of Nepal, and is particularly popular in the higher mountains. This entrance through the stone wall leads to a public-school compound where villagers play volleyball once classes have finished. When I made this image, the ground was engulfed with fog, silhouetting the volleyball-playing men.

New Taipei Metropolitan Park

This photo was taken in Kuwait. I use Mavic air 2 for this photo. It is hard to choose motion technique specially with drone, After many shots am happy with this result.

A well deserved rest on a colourful street workout field after a couple of activ hours taken from the air.

The model in this photograph is a young actress by the name of Cezara Munteanu. The picture was taken in my studio in Botosani, Romania, in 2020, a year full of many emotions and inner uncertainties.

My friend and I were on our first climb of the winter. We’d hoped to ascend three mountains on the same ridge, but because of the conditions, we had to turn back before the final peak. This image expresses the struggle we faced in deciding whether to turn round or continue.

This image is part of a series shot during the 2020 lockdown. Called 'Masquerade, a visual exploration of our true selves', it aims to explore photography’s particular ability to describe a historical moment in a conceptual form. Each photograph encourages the viewer to question the way in which we reveal ourselves to others. Has society turned into one big masquerade ball?

An aerial photograph of the sports complex in Nové Město na Moravě.

This picture aims to represent fertility, with floating clouds, wheat fields, snow fields and the earth.

Inspired by the expressionist movement, I tried to convey a subjective experience with this image, rather than an objective reality. The image was created by taking individual shots of an oxidised iron structure and recomposing them later into a balloon-like image. During production, I gradually rediscovered and recreated the composition.

This photograph is a story of first times. The first time I shot my dear friend Léo, that I only had met once in my life about ten years ago. The first time I went outside after three months. The first friend I met after the lockdown. The first time I worked with a model so brave and so dedicated to art and creation. The first time I felt how much photography was important to me.

This Museum of Islamic Art has rapidly become an iconic feature of the Doha landscape. Standing alone on reclaimed land, the building draws a great deal of influence from ancient Islamic architecture, most notably the Mosque of Ibn Tulun in Cairo. Designed by Pritzker Prize-winning architect I.M. Pei, the museum comprises a main building with an adjacent education wing connected by a large central courtyard. The main building is five storeys high, and is topped by a domed atrium within a central tower. The cream-coloured limestone captures the changes in light and shade during the day.

A panoramic view of unused taxis parked on the rooftop of this building reveals something of the dire economic situation brought about by the Covid-19 pandemic. Despite the success of several vaccine programmes, it will take a long time for lives to return to pre-Covid days.

This photograph was taken for a project on colour theory; the objective of this photograph was to use a warm colour palette. My aim was to explore colour further by considering its socially constructed meaning. Pink is a colour that is often associated with femininity, and through this image, I aimed to blur the lines between gender stereotypes such as this.

The ball in this image was originally a Christmas decoration. I couldn’t find a pure matte-white ball in the shops, so I painted one instead, then took a series of images in a quarry, and made a composite of them in Photoshop.

2020 covid-19 pandemic Saudi Arabia This photo was taken to convey a feeling of despair and everything that we have in life has stopped due to the pandemic

Last picture from a personal shoot this October. 2020 feels like we're all just bumping our heads against a big wall together.

This image is part of my series, ‘Moving Portraits’, in which I experiment with long exposures of between one and two seconds, and flash. I love these surreal portraits that capture different emotions. They are lightly edited in post-production.