Antoniuk said that it's the designer who has to provide clarity and foresee at least some of the possible issues when it comes to the actual building and the interior design: "It's hard, but that's why the best designers get paid so well for their outstanding work. They do great design/aesthetic work, but they also create efficiencies and they foresee and spot (some) problems from happening." 

The Associate Professor highlighted that some things will go wrong, no matter how much we plan for them. What's more, the builders have to be on the designer's side, too, but the latter still shoulders most of the burden. "Many jobs can not just stop because a designer is not onsite or is not able to be reached. That said, builders need to honor the designer's vision, but again, if there is 'fuzziness' in the drawings or plans, decisions will be made by people that we may not want to make them."

On a very practical level, ensuring that builders follow through with the designer's vision comes down to communication, doing "great drawings and visuals," and becoming "exceptionally well educated" in the field of construction. "We exist in a field that is ever-changing with the introduction of new materials, new construction requirements, and restrictions," Antoniuk said.

He also stressed the importance of creating honest relationships based on mutual respect. "It is simple to say, but communication and having an outstanding relationship with the builder is critically important. At 'Architure,' we constantly visit and hang-out with the Trades. We like to talk with the people that have 'boots-on-the-ground.' These are the people that are literally building our products and spaces. If you piss these guys off, treat them poorly, or don't communicate well, they can ruin a project. It may sound flippant, but we see these people as our partners."

In a previous interview with Bored Panda, Antoniuk also spoke about the differences between good and bad design. He said that there are, objectively, such things as good and bad interior and furniture design decisions—it’s not just about our subjective tastes.

However, our tastes are important, too, as they can create gray and blurry areas between what’s considered to be quality and, well, not. Though, I think, hardly anyone would mix up anything shown in this list with something that’s tasteful.

In Antoniuk’s opinion, we can all intuitively sense what good design is and isn’t. "Quite often, this relates to ergonomics and the usability or functionality of the products and services and systems. Having said that, I think far too many people expect poor design that doesn’t really work well," he said.

It’s not all just doom and gloom, however. Antoniuk highlighted that creating high-quality design that is objectively good is a skill that can be learned; just like people can learn the wrong skills and make bad design decisions. Naturally, this suggests that we have to unlearn bad skills before learning the right ones.

For Antoniuk, good design is “intuitive, [...] deeply sympathetic and empathetic to the user at all levels, and at some level, it is emotional,” just like Dieter Rams laid out in his principles of good design. “It is a catalyst for giving us feelings,” Antoniuk said about design.