This work is located in one of the most dangerous neighborhoods in the city. The text says: "to be respectful children, we must first be respected children."

Gabriel Vargas was a famous cartoonist who created the comic "La Familia Burrón".

This I found on a mural in Mexico City next to the chronicler Carlos Monsivais as a parody of the Diego Rivera mural.

Two abstract axolotls are depicted on this mural. These animals are endemic to Mexico along with the maguey, which is the plant that is drawn above.

Rosario Castellanos is considered to be the best Mexican writer of the 20th century. There she is on this poster in Coyoacán.

In a postmodern neon style, allusions to Mexican culture are distinguished in this underbridge.

The Mexica, god of water, Tlaloc, the feathered serpent, Quetzalcoatl, a jaguar warrior, an axolotl and a corncob to name a few.

This mural, now disappeared, was created by 4 different urban artists, each one adding a new character to the previous one. It was for many years a benchmark of city urban art.

This drawing made by a foreigner shows allusions to Mexican skulls. The couple is framed by several posters loaded with Mexican black and political humor.

This poster recorded in Oaxaca portrays the mothers of those who disappeared due to violence in Mexico.

The number 43 symbolizes the Ayotzinapa normalistas (disappeared ones). The text says: "For the mothers who mourn empty graves, for the children who never came back."

Avocado Alley is known as one of the most haunted places in Mexico. In one of its entrances, there is this mural that recalls its specters and legends.

One of the posters on the door (the skull) portrays the poet nun Sor Juana Inés. One of her most famous poems says: "Foolish men who accuse women without reason, without seeing that you are the occasion, of the same thing you blame." The poster says: "fu*** fools".

The pesero is a typical Mexican public transport named for charging a peso at its origin. Little by little it is disappearing replaced by more modern transport, but it is still an icon of the poor neighborhoods of the city.

Every December 12, the Santa Julia neighborhood creates street altars in honor of the Virgin of Guadalupe. Many add urban art to their kitchen creations.

This mural that illustrates one of the episodes of the Spanish conquest of Tenochtitlan is located on one side of the street where the battle of the sad night (according to Spain) or victorious night (according to Mexico) took place.

On the sides of the grenadier is the equipment he uses to repress protests: bulletproof vest, helmet, gas launcher, etc.

On one side of what once were the electric transport warehouses of Mexico City in the 70s.