"Every day after rehearsal, he [Elvis] would go into this dressing room, get around the piano with whoever happened to be around at the time and jammed," noted Binder. "They would just go on for hours every single day…That's when we got to see the real Elvis. It wasn't because of the big production numbers and the gospel numbers and the guitar man sequence and all the sets and costumes and extras. To me, the reason that the '68 special holds up 50 years later is because it's totally Elvis."

"I adored her from the moment we were introduced. I think both of us had each other at hello," the actor revealed in 2011. He added, "I thought she was too young to play my wife. She was 12 years younger than I was, though as time went by, no one ever noticed or mentioned that fact. Even I forgot about it." Photos by Earl Theisen.

"With Gene, I learnt to dance Jazz – a very different kind of dancing. Not ballet where your knees and back have to be very straight. And dancing his sort of dancing, which was inspired by Jack Cole, was something very new and different and I took to it," remembers Caron.

The two tied the knot on June 29, 1956 at the Westchester County Court House in White Plains, New York. Sadly, the would divorce in 1961. In a 1987 interview with 60 Minutes, Miller reflected on the final days of their marriage: "I guess to be frank about it, I was taking care of her. I was trying to keep her afloat. She was a super-sensitive instrument, and that’s exciting to be around until it starts to self-destruct." Photos by Paul Schutzer.

Some of his celebrity clients included Marlene Dietrich, Elizabeth Taylor, Marilyn Monroe, Audrey Hepburn, and Grace Kelly. Photo by Frank Scherschel.

Photographer Peter Stackpole described this portrait as, "An Englishman spending a winter evening at home." Hitchcock playfully retitled it, "A Dislike of American Fireplaces."

"I really can't be funny unless it's part of the character," confessed the actor. "It really bugs me when someone thinks of me as a comic. If I read 'comedian Jack Lemmon,' I gag. That means I'm not an actor — which I am."

Arnold Friberg, Dorothy Jeakins, Ralph Jester, and John Jensen were also credited designers on the film. Their work earned them an Oscar nomination for Best Costume Design the following year.

The two both danced in Roland Petit’s ballet company prior to pursuing a career in acting. In her autobiography, Caron recalled: "Another very young dancer…very promising, with a pretty face and slim figure, joined the company for the 1947 Paris season…[Eventually] She chose another road and did quite well. We called her 'Bichette' (Little Doe), but her name was Brigitte Bardot." Photos by Michou Simon.

In honor of King Charles' Coronation, let’s throw it back to 1985 when the then 37-year-old Prince breakdanced at a discotheque in the West Sussex village of Middleton-on-Sea. The impulse dance session followed a workshop his charity, The Prince’s Trust, had organized for young unemployed people in the area. Photos by Ron Bell.

The French actress graced the November 1959 issue of Ebony magazine and has been hailed as "one of Ebony magazine's prettiest cover girls, along with the likes of Dorothy Dandridge, Halle Berry, Vanessa A. Williams, and Lena Horne." Photos by Jean Claude Pierdet.

Benson’s career had predominantly consisted of performing for the stage when she was hired to voice the role of Ariel. "I was absolutely petrified because I'd never been behind a microphone before," she later confessed. Benson credits much of her success to lyricist, Howard Ashman. "I really struggled with insecurity and [Ashman] was a cheerleader, you know, he just pulled everything out of me to be able to do this. At one point, I told [Howard], 'I can't do this. I think they got the wrong girl...There's a million people that can do this that know what the heck they're doing,'" Benson added. "He [was] like,...'You've got this. You can do this.' There'd be no Ariel [without him]. It's all Howard...People say, 'Oh I love Ariel.' I'm like, 'Then you love Howard,' because Ariel...is who Howard

Streisand remembers the set as being "full of laughter," with Bogdanovich laughing the hardest. "He was having such fun directing, and that was contagious."

"This was where I fell in love for the first time. As a boy of maybe nine, or so. Marilyn really nailed my little, tentative heart," Irish actor Colin Farrell revealed in an interview with Far Out Magazine. He added, "…like most great films, this one has some quotes and moments that just stay in the mind and resonate. It’s a film about love and friendship and second chances." Photos by Richard C. Miller.

Curtis later described Wood as a "very moving and giving woman, I liked her very much. We became great friends." Photos by Bill Ray.

"He showed me his canvases, his ceramics, his studio. He was simple, intelligent, a bit indifferent and lovely," said the actress. Photos by Jerome Brierre.

"I never tried to emulate my father," the actor once said. "Anyone trying to do that would be a second-rate carbon copy. My respect for his work is so considerable that I don't believe anyone could emulate him." Photo by Peter Stackpole.