From series: "Fly by night".
 
"The idea for these images started at a time when South Africa was focused on the issue of xenophobia, which was prominent in discourse all throughout the country. Many people were leaving their homes from outside South Africa’s borders and traveling to find a new place to fit in. For reasons of poverty, lack of work opportunities, etc.. they were looking to find a new “identity” in South Africa. Unfortunately, many local people refused to accept them and they were persecuted. At this stage especially, there was a violent reaction to the influx of foreigners. The media was filled with many violent altercations between the local communities and the foreigners. These people were unable to return to their home countries and were also not accepted in their new surroundings."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "Albus".
 
"The discourse about albinism is generally avoided as taboo in the South African context. When discussed, it is usually viewed as negative or as a sought-after “oddity” in fashion and art trends. Justin Dingwall, the photographer, and creator of the series Albus aims for an intimate perspective to foreground the perceptions surrounding albinism.
It began as an interest to capture something not conventionally perceived as "beauty"."

From series: "Fly by night".
 
"The idea for these images started at a time when South Africa was focused on the issue of xenophobia, which was prominent in discourse all throughout the country. Many people were leaving their homes from outside South Africa’s borders and traveling to find a new place to fit in. For reasons of poverty, lack of work opportunities, etc.. they were looking to find a new “identity” in South Africa. Unfortunately, many local people refused to accept them and they were persecuted. At this stage especially, there was a violent reaction to the influx of foreigners. The media was filled with many violent altercations between the local communities and the foreigners. These people were unable to return to their home countries and were also not accepted in their new surroundings."

From series: "The changing winds".

From series: "Albus".
 
"The discourse about albinism is generally avoided as taboo in the South African context. When discussed, it is usually viewed as negative or as a sought-after “oddity” in fashion and art trends. Justin Dingwall, the photographer, and creator of the series Albus aims for an intimate perspective to foreground the perceptions surrounding albinism.
It began as an interest to capture something not conventionally perceived as "beauty"."

From series: "Rerouted". 
 
"This art series is a commentary on our current situation, and the unexpected roads we must navigate. It focuses on travel, and how restrictions on our movement affect every aspect of our lives. From visiting loved ones, going to and from work, and many other activities, travel forms a predominant part of life. Without it, we experience separation and loneliness, financial loss, and retrogression… society just stops."

From series: "Beautiful terrible".

From series: "Beautiful terrible".

From series: "Albus".
 
"The discourse about albinism is generally avoided as taboo in the South African context. When discussed, it is usually viewed as negative or as a sought-after “oddity” in fashion and art trends. Justin Dingwall, the photographer, and creator of the series Albus aims for an intimate perspective to foreground the perceptions surrounding albinism.
It began as an interest to capture something not conventionally perceived as "beauty"."

From series: "Albus".
 
"The discourse about albinism is generally avoided as taboo in the South African context. When discussed, it is usually viewed as negative or as a sought-after “oddity” in fashion and art trends. Justin Dingwall, the photographer, and creator of the series Albus aims for an intimate perspective to foreground the perceptions surrounding albinism.
It began as an interest to capture something not conventionally perceived as "beauty"."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "Rerouted". 
 
"This art series is a commentary on our current situation, and the unexpected roads we must navigate. It focuses on travel, and how restrictions on our movement affect every aspect of our lives. From visiting loved ones, going to and from work, and many other activities, travel forms a predominant part of life. Without it, we experience separation and loneliness, financial loss, and retrogression… society just stops."

From series: "Albus".
 
"The discourse about albinism is generally avoided as taboo in the South African context. When discussed, it is usually viewed as negative or as a sought-after “oddity” in fashion and art trends. Justin Dingwall, the photographer, and creator of the series Albus aims for an intimate perspective to foreground the perceptions surrounding albinism.
It began as an interest to capture something not conventionally perceived as "beauty"."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "Beautiful terrible".

From series: "When will you return".

From series: "Albus".
 
"The discourse about albinism is generally avoided as taboo in the South African context. When discussed, it is usually viewed as negative or as a sought-after “oddity” in fashion and art trends. Justin Dingwall, the photographer, and creator of the series Albus aims for an intimate perspective to foreground the perceptions surrounding albinism.
It began as an interest to capture something not conventionally perceived as "beauty"."

From series: "Beautiful terrible".

From series: "Fly by night".
 
"The idea for these images started at a time when South Africa was focused on the issue of xenophobia, which was prominent in discourse all throughout the country. Many people were leaving their homes from outside South Africa’s borders and traveling to find a new place to fit in. For reasons of poverty, lack of work opportunities, etc.. they were looking to find a new “identity” in South Africa. Unfortunately, many local people refused to accept them and they were persecuted. At this stage especially, there was a violent reaction to the influx of foreigners. The media was filled with many violent altercations between the local communities and the foreigners. These people were unable to return to their home countries and were also not accepted in their new surroundings."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "The changing winds".

From series: "Rerouted". 
 
"This art series is a commentary on our current situation, and the unexpected roads we must navigate. It focuses on travel, and how restrictions on our movement affect every aspect of our lives. From visiting loved ones, going to and from work, and many other activities, travel forms a predominant part of life. Without it, we experience separation and loneliness, financial loss, and retrogression… society just stops."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "Beautiful terrible".

From series: "Fly by night".
 
"The idea for these images started at a time when South Africa was focused on the issue of xenophobia, which was prominent in discourse all throughout the country. Many people were leaving their homes from outside South Africa’s borders and traveling to find a new place to fit in. For reasons of poverty, lack of work opportunities, etc.. they were looking to find a new “identity” in South Africa. Unfortunately, many local people refused to accept them and they were persecuted. At this stage especially, there was a violent reaction to the influx of foreigners. The media was filled with many violent altercations between the local communities and the foreigners. These people were unable to return to their home countries and were also not accepted in their new surroundings."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "Fly by night".
 
"The idea for these images started at a time when South Africa was focused on the issue of xenophobia, which was prominent in discourse all throughout the country. Many people were leaving their homes from outside South Africa’s borders and traveling to find a new place to fit in. For reasons of poverty, lack of work opportunities, etc.. they were looking to find a new “identity” in South Africa. Unfortunately, many local people refused to accept them and they were persecuted. At this stage especially, there was a violent reaction to the influx of foreigners. The media was filled with many violent altercations between the local communities and the foreigners. These people were unable to return to their home countries and were also not accepted in their new surroundings."

From series: "Affinity project".

From series: "Fly by night".
 
"The idea for these images started at a time when South Africa was focused on the issue of xenophobia, which was prominent in discourse all throughout the country. Many people were leaving their homes from outside South Africa’s borders and traveling to find a new place to fit in. For reasons of poverty, lack of work opportunities, etc.. they were looking to find a new “identity” in South Africa. Unfortunately, many local people refused to accept them and they were persecuted. At this stage especially, there was a violent reaction to the influx of foreigners. The media was filled with many violent altercations between the local communities and the foreigners. These people were unable to return to their home countries and were also not accepted in their new surroundings."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "Albus".
 
"The discourse about albinism is generally avoided as taboo in the South African context. When discussed, it is usually viewed as negative or as a sought-after “oddity” in fashion and art trends. Justin Dingwall, the photographer, and creator of the series Albus aims for an intimate perspective to foreground the perceptions surrounding albinism.
It began as an interest to capture something not conventionally perceived as "beauty"."

From series: "Rerouted". 
 
"This art series is a commentary on our current situation, and the unexpected roads we must navigate. It focuses on travel, and how restrictions on our movement affect every aspect of our lives. From visiting loved ones, going to and from work, and many other activities, travel forms a predominant part of life. Without it, we experience separation and loneliness, financial loss, and retrogression… society just stops."

From series: "Beautiful terrible".

From series: "Beautiful terrible".

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "The changing winds".

From series: "Albus".
 
"The discourse about albinism is generally avoided as taboo in the South African context. When discussed, it is usually viewed as negative or as a sought-after “oddity” in fashion and art trends. Justin Dingwall, the photographer, and creator of the series Albus aims for an intimate perspective to foreground the perceptions surrounding albinism.
It began as an interest to capture something not conventionally perceived as "beauty"."

From series: "Beautiful terrible".

From series: "Rerouted". 
 
"This art series is a commentary on our current situation, and the unexpected roads we must navigate. It focuses on travel, and how restrictions on our movement affect every aspect of our lives. From visiting loved ones, going to and from work, and many other activities, travel forms a predominant part of life. Without it, we experience separation and loneliness, financial loss, and retrogression… society just stops."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "Albus".
 
"The discourse about albinism is generally avoided as taboo in the South African context. When discussed, it is usually viewed as negative or as a sought-after “oddity” in fashion and art trends. Justin Dingwall, the photographer, and creator of the series Albus aims for an intimate perspective to foreground the perceptions surrounding albinism.
It began as an interest to capture something not conventionally perceived as "beauty"."

From series: "Rerouted". 
 
"This art series is a commentary on our current situation, and the unexpected roads we must navigate. It focuses on travel, and how restrictions on our movement affect every aspect of our lives. From visiting loved ones, going to and from work, and many other activities, travel forms a predominant part of life. Without it, we experience separation and loneliness, financial loss, and retrogression… society just stops."

From series: "When will you return".

From series: "Beautiful terrible".

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "Rerouted". 
 
"This art series is a commentary on our current situation, and the unexpected roads we must navigate. It focuses on travel, and how restrictions on our movement affect every aspect of our lives. From visiting loved ones, going to and from work, and many other activities, travel forms a predominant part of life. Without it, we experience separation and loneliness, financial loss, and retrogression… society just stops."

From series: "Rerouted". 
 
"This art series is a commentary on our current situation, and the unexpected roads we must navigate. It focuses on travel, and how restrictions on our movement affect every aspect of our lives. From visiting loved ones, going to and from work, and many other activities, travel forms a predominant part of life. Without it, we experience separation and loneliness, financial loss, and retrogression… society just stops."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "A seat at the table".
 
"I worked with the old saying “a seat at the table” to represent the idea of an opportunity to be heard, to be seen to have a voice and an opinion, and in this way to make a difference.
The images that I have created with Moostapha aim to start conversations about preconceived ideas and perceptions based on appearance and how what we see affects what we think."

From series: "Rerouted". 
 
"This art series is a commentary on our current situation, and the unexpected roads we must navigate. It focuses on travel, and how restrictions on our movement affect every aspect of our lives. From visiting loved ones, going to and from work, and many other activities, travel forms a predominant part of life. Without it, we experience separation and loneliness, financial loss, and retrogression… society just stops."