The main issue I faced was the camera control—I could neither see what image I was taking, nor customize the settings. I set the focus manually, made sure the shutter button was always pressed (with the help of a rubber band and a random piece of plastic), and set the camera to an interval shooting mode. I was glad to get at least 1 usable shot after 20 minutes of flight. 2 successful shots would make my day. Due to the different nature of infrared photography, the exposure would change quite severely depending on the height of the sun and clouds. There were moments when I had badly overexposed or heavily underexposed images.

The bright side is that since you don’t see what images you get while you are flying, it is way more interesting to finish a flight and see what has been captured. I used two filters—550nm and 720nm—both of which gave me different results and created different moods. The former gave me some funky vaporwave colors, while the latter would produce incredibly deep blues, white foliage, and cut through any sort of smog.

Infrared images are low on contrast, therefore adjustments are needed to make a final image stand out.

There are more caveats, i.e. setting the right white balance. Set it wrong and you end up with a ruined image full of psychedelic colors. It is definitely a unique or even a weird photography genre and it might be a niche one, but it is worth trying it. After all, it reveals a world that is beyond human vision.