30 Sarcastic Comics That You’ll Probably Need To See Twice To Understand By Gudim (New Pics)

By taking a brief look, you'll notice that there's little to no dialog. The artist explained this in an interview of his previous post. "It's just the format that I came to and which I consciously chose. Why? Firstly, any reasonable restrictions contribute to the development of creativity. Secondly, I like it from an aesthetic point of view. Thirdly, I do not need to translate text for my international audience. Fourthly, captions usually come to the fore and drawings become just an addition to dialogues and text descriptions, and I always prefer the visual side. At the end of the day, you can just tell the dialogue from the comic and that will be enough. In my case, you need to look, no description can replace what I draw."

Anton also went in depth about the evolution of the comedic aspect of his illustrations. "At first, I just told jokes (these were almost classic comics with dialogue), puns. Then the jokes became more absurd and dialogue almost disappeared from the comics. I liked to draw comics about objects, without characters in the frame. Over time, humor began disappearing from some works but did not disappear altogether. It seems strange that some artists do not use humor in their works, because a layer of humor is a large layer of creativity. Life is not only serious and dark, but also funny at times, but often it is a tragicomedy. In the end, I began to focus on playing on the unexpected properties of things and events. Now it was interesting for me to try to go to genres adjacent to just digital drawings: such as video, sculpture, or street art."

When considering where Anton Gudim stands as an illustrator, one needs to take his popularity into consideration. Though Anton shies away from being called popular, he is exactly that, and a million followers on Instagram is a testament to that. "Of course, 7 years ago, when I'd just started drawing under the Gudim brand, I could not have imagined such a thing. After a while, seeing how my work was developing, I could assume that one day the figure of 1 million would be surpassed. It took a long time to reach it, it was not an explosion of popularity, so it seems to be quite normal, considering how much effort was invested in the creation of each work. But even with that number, I absolutely don't feel popular. I remember the day this number appeared on the screen of the Instagram application, and it was not the day when I felt famous, it was the day of accepting that my work was appreciated and I need to move on. Thanks to my subscribers, I am very grateful that I have them."

No matter the originality and the creativity, all artists are inspired by something. Anton is no different in this regard, and he gladly shared what influenced him. "Someone constantly influences me and I always discover new artists. At this stage, it is more interesting for me to discover new artists outside the comics world, although many people who draw comics (such as Perry Bible Fellowship, Poorly Drawn Lines, False Knees, Jeroom, and others) still inspire me. I like artists (Rustam QBic, Slava Ptrk, Seth Globepainter, Jason Limon, and others), I like video content creators (Pablo Rochat, Romain Laurent, Oliver Latta, Scorpion Dagger, Kevin Lustgarten, and others), I recently discovered an interesting Russian cartoonist Andrei Popov. There are a lot of talented people around!"

Even though Anton is really good at what he does, the illustrator has his own gripes about the process. "The most difficult thing, of course, is to come up with what to draw about. Moreover, the flow of ideas can be quite strong (I take notes with ideas every day), but the most difficult thing is to separate a good idea from a bad one, see the potential in one and understand that, for example, another idea will not work." Of course, there are things that are more easy to him too. "The simplest thing is to draw (after you have chosen an idea, decomposed it into frames, and come up with a composition). Here you need to clarify that good and neat way to draw what you came up with. Choosing a color palette is also not easy, but still, for me, this is an easier stage than coming up with and selecting ideas."