In the books, we see that Fred and George make all sorts of crazy candy and they are really good at it! So things like the snoozbaerries and the gobstoppers are not far fetched. Plus the whole place is candy and the last scene with the elevator can only be explained by magic. But Fred dies and George can not handle being surrounded by wizards all the time so he goes to live with the muggles and becomes a recluse. The oompa lompas can easily be house-elves. Plus Goerge and Wonka look very similar and they dress alike. Wonka makes a few comments about not being able to hear correctly and we know George had he's ear cut off. If you think about it he was half way there with Fred, having made a successful shop called Weasly's Wizarding Wheezes. Triple W and then from there Willy Wonka... double W. He clearly kept the Ws. And my favorite part is that in Wonka's office everything is cut in half. George never got over Fred's death, he never felt whole so nothing in his life can be whole. George is missing his other half.

Everything that happens is a pretty normal occurrence, it's just being filtered through the eyes of a dog. Their house is in the middle of no where, and crazy scary strangers just keep showing up. He saves his people from them, just like my dog saves me from the mailman.

This is why there are so many run down amusement parks and mills, all the businesses are closed. This is also why so many desperate people are pulling ghost-related insurance scams, AND why the kids seem to be traveling the country with no jobs or even homes other than the van.

He never once says it and in the end scene where everyone runs in to see Frodo in the hospital, Frodo yells out everyone's name in excitement as they come in....except for Legolas, who he just stares at smiling, then Gimli walks in and he's back to it yelling "Gimli!"

The opening shows him beamed down to Earth from a ray of light ( a spaceship) and it really does help explain his eccentric and bizarre behaviour. It seems to be about him learning about humanity and trying to integrate without any real idea as to how to go about it. I find that it adds an interesting layer of humour to an already very funny series.

In fact, I believe in the animated series they have him encounter aliens who look similar to him.

It was made sure that their heartbeats lined up and when Anakins stopped, Padme's stopped and then Anakin's started again. It would explain how there was nothing medically wrong with her, but instead it was Palpatine using the dark side to drain her life into Darth Vader.

Edit. I would just like to add that I am a 36 year old dude with a 5 year old daughter. Having responded to a lot of enthusiastic comments, I have come to realize that I know way more than I should about these movies, and that I totally want this to happen.

He only has super psychokinetic abilities. That is, he can move stuff with his mind. It only manifests as his powers. This would explain why he can pick up, say, a cruise ship. If you rested a cruise ship on a point as small as a person, it would break in half. Superman, though, is lifting the whole thing with his mind powers, so the force is distributed throughout, so it's not concentrated. His mind interprets his desire to push with his muscles and so forth as demands for the psychic power and fills in with psychokinetic response, like a phantom limb, a la The Long Arm of Gil Hamilton. So Superman essentially has unlimited psychokinetic potential (or he has no real understanding of what it is) but it's limited by his own personally imagined limitations.

If you watch The Animatrix you see that the Machines tried to be democratic members of society and when the humans wouldn't let them they create their own country. The humans then wage war against that nation. The Machines at any time could make the planet unlivable for humans but they never do. The humans actually have the bright idea to block out the sun because the Machines are primarily solar powered. The Machines convert to nuclear then win the war against humans. THEN start plugging humans into the Matrix, an inferior source of energy to nuclear. I believe the Machines put the humans in their to keep them safe from the hellscape they created.

They never truly eradicate the humans that have escaped the Matrix. Just keep them powerless enough to protect themselves.

When Agent Smith is ranting about how much humans disgust (in part 1) him the other agent is skeeved out, and even says, "What are you doing?"

Agent Smith is an outlier, threatening what the Machines collectively want. The Machines even ally with the humans against Agent Smith. An alliance the Machines readily accept because they always wanted to get along with humans.

They call off the attack on Zion, ending the cycle of destruction and rebuilding. They have no reason to honor Neo's terms after he dies, but they do because they wanted peace all along.

Allowing the humans the belief that Neo fostered a peace and they should relegate their conflict with the Machines to inside the Matrix works perfectly for them. No human or machine deaths. Humans that can sense the Matrix get segregated. Zion and the machine nation coexist. It's everything they ever wanted.

Hence how House managed to escape from the upper story of a collapsing, burning building, how he manages to supposedly switch dental records to fake his death, and why he's just casually out in the open when Wilson sees him despite his presumed dead status.

Also explains the soundtrack choice for the closing scene. The only previous use of Enjoy Yourself was when it was sung by a hallucination.

Barney didn't actually sleep with a new woman every night, but in retrospect it seems like he did. The Playbook was more like one play Barney wrote down that the gang found and made fun of him over and over for until it turned into this big thing. It also explains how Ted and Marshall were able to afford a large apartment in Manhattan - it was small, but they remember it as being huge.

It is because the Fairy Godmother was messing with us: her main goal was to set Cinderella up for life, and to do that she needed a way for the Prince to find her. She could easily have magicked Cinderella into the life she wanted, arbitrary midnight deadline be damned, but instead the Fairy Godmother decided to make the Prince want her for her own qualities and to prove his love by tracking Cinderella down.

It's like the theory in Aladdin that it's all in pursuit of his first wish -- that is, to make Aladdin a prince. He doesn't become a Prince until he marries Jasmine and the Sultan changes the rules; until then, he only appears to be a Prince. Until that point, the Genie is acting in pursuit of a larger goal.

Magic users are tricksy.

In Disney's Ratatouille, the old lady in the beginning of the movie living in the house next to the river is the food critic, Anton Ego's, mother. In the flashback scene where he eats the ratatouille you can see similarities of the house from the beginning, her face and I think the bridge.

I mostly believe this because I don't understand how after years of seeing that there are real monsters, Scully would still scoff at the idea of vampires or whatever. Doesn't make sense, unless she is often proven correct.

One set of humans abandoned the planet's surface to live in the sky, and left others to live on the ground.

The Flinstones know about things like cars, telephones, and record players.

In the Jetsons, the ground is rarely seen, and it appears to be populated by homeless people.

He and his war buddies didn't retire to a tropical island, Thomas doesn't get to live in a mansion down by the beach, drive a Ferrari, or play gumshoe. Everyone he ever met in 'nam didn't conspicuously show up in Hawaii, and his 'nam flaskbacks relating to each week's episode's plot aren't flashbacks.

Much like with Jacob's Ladder, the whole show is portraying the hallucinations of a dying man, or the purgatory/afterlife of a dead man.

-The half-life of dino DNA is waaay shorter 65 million years. It would have been so broken-down that the scientists couldn't do anything with it.

-John Hammond told a story about how his early business venture was fooling people with an electric flea circus. This man is no stranger to deception for making a quick buck.

-In the novel the company fooled investors by presenting a dwarf elephant as a "genetically-modified mini-elephant

Therefore, Hammond brought the palaeontologists to the island to see if his creations could fool the experts. If the experts buy it, then the general public will.

The three brothers are represented by three characters:

Voldemort is the first brother craving power, eventually dying trying to become more powerful.

Snape is the second brother who wanted to be with a dead loved one and died for her by protecting Harry.

Harry himself is the youngest brother, escaping death.

A quote from the Tale is also "he greeted death as an old friend" just like Harry met Dumbledore in King's cross after "dying".

JK Rowling said this was one of here favorite theories.

If you watch the film with this idea in mind it actually becomes uncomfortably plausible. The general idea is that Marla is Jack's feminine, emotional, empty, suicidal side. Tyler is Jack's masculine, hyper-aggressive, dominant, and destructive side. Jack works 9 different jobs, most part-time, and switches between the 3 identities. One key peice of evidence: There is a scene later in the film where the detective calls Jack to reveal to him that the police investigation has led them to believe that someone blew up his apartment on purpose. However, as the phone is ringing two things are happening: 1) Jack is making his way downstairs to answer the phone, and 2) Tyler and Marla are f**king loudly upstairs. Now, Tyler = Jack, right? Throughout the film, whenever Tyler and Marla were having sex Jack imagined himself reading/working out/fixing s**t, when in reality he was upstairs having sex with Marla. With that in mind, as soon as Jack picks up the phone- Tyler and Marla immediatly stop f**king. But how? If Jack (Tyler) was downstairs answering the phone, what was Marla doing upstairs screaming like that if she wasn't actually having sex with Jack (Tyler)? Doesn't make sense. It does make sense, however, if both Tyler and Marla only exist in Jacks mind, and Jack was actually masturbating. And if you apply that logic to al of the sex that takes place throughout the film- it all works. It also sits quite nicely with Tyler's quote, "Self-Improvement is masturbation." This also fits extremely well when you consider what Jack is usually doing when Tyler and Marla f**k: reading/working out/fixing s**t around the house- All would be considered "Improving yourself". I would recommend people rewatch Fight Club and watch it as if this theory is true. Ever since I watched Fight Club with this in mind, everything about it works so well I would have to be persuaded that Marla actually DOES exist.

Explains combat experience, anti-authority stances, and his ability to psychologically manipulate people. Also explains the line, "Or a truckload of soldiers will be blown up, nobody panics, because it's all 'part of the plan'." One of the best aspects of Joker is his completely obscured backstory, granted. But I like the idea that this was Nolan's interpretation.
EDIT: Yeah, as others have pointed out below, when I said "ex-military", I definitely should have been more specific. I think that his large variety of weapon training and his ability to execute complex plans successfully points towards a more general experience in trained combat. His adeptness at psychological manipulation could point towards ex-CIA, which would explain his lack of records, or it could simply be that his mind was corrupted to his current point of sadism by a tragic past event like seeing all his squad die in a bombing. Notably in the final fight scene of the movie, Joker is able to disrupt Batman's see-through googles with a well-placed strike, attack him from behind, and pin him under a girder. Considering Batman's martial arts experience, it would seem unlikely that Joker would be able to overpower him without having any form of combat training. In addition, his pencil disappearing trick is another example of him showing his close-combat reflexes. Joker definitely is not known for combat prowess, but there is always the possibility that he hides his abilities to seem like less of a threat. And for the record, I liked The Killing Joke. To quote Joker, "If I'm going to have a past, I prefer it to be multiple choice".

In the final episode of Always Sunny, the bar will have to close and Frank will take a picture of Mac, Dennis and Dee for old time's sake. Once the picture is shown, it is finally clear that all three of them look completely different from what we see as an audience. Mac has tiny arms, Dennis is not nearly as handsome as he thinks he is, and Dee still has severe back issues.

The story is primarily told by those three characters, and every event is centered within their group. Charlie and Frank are completely okay with their weird selves and so we see them as they are, but the other three look like attractive TV stars, though they're treated exactly the same as Frank and Charlie. Though they look like TV stars to the audience of the story they are telling, they are treated like mutants by the world around them.

It always seemed strange that Mac had big arms and yet could never do Karate or intimidation when he tried. Though Dennis seems to be a good-looking guy, he still has to use a very elaborate and twisted system to get women to sleep with him. Dee only dates potentially mentally challenged rappers or a very slow veteran who prefers jean-shorts. "It's Always Sunny in Philadelphia" is a show about the inner delusions of Mac, Dennis, and Dee and how they struggle to understand why they are not socially accepted the way they expect to be.

He was told from a young impressionable age that he would eventually grow up as one, a kid who was told he could not love, care, or show emotion, eventually became displaced with his emotions going to so far as saying "I had a weird feeling, that if I were capable of it would be called love" he knows what love is and experiences it multiple times throughout the series Why would he save his foster sister instead of catching the other killer if he didnt truly care for her, he had the opportunity.

When they were eating breakfast Kevin said "I think the Eagles can clinch it and Stacy said we're done." After that there are regular mentions of how is gambling problem screws things up and tells Micheal "we should always hide our money problems from women."

Bucky is the DM and has to deal with Steve actively messing with Bucky about his totally f**ked-up character (a genetically-engineered racoon with a gun fetish), Natasha and the massive backstory she's come up with about her female assassin/daughter of a god, Tony Stark's self-deprecating and smug demi-human team leader, Thor (who is having trouble understanding the game) just has a big tough character who only understands the basics like loyalty and doesn't get the subtle jokes everyone else is making, and Bruce who is too busy to really pay attention has a powerful character who does whatever Steve tells him to do and all he says is, "I AM GROOT." Makes sense to me! :)

He meets his companions at the end of their life first. This locks that point in time from changing. At that point he goes to their past and has them join him.

He knows that whatever happens they will still have that future event. So he can use them to do things that would normally get someone else killed.

One of the seasons was supposedly run in reverse (relative to the doctor) to point this out, and also his wifes time line is backwards.