Hi Pandas! I think it's been over a year since my last post so I thought it was about time for an update. The big news is that I accidentally created a comic last fall called 'Witchflowers'!
In October 2021, while participating in the Inktober/Comictober challenges, I used the daily prompts to draw comics about a couple of witches and — before I knew it — it snowballed into its own story!
'Witchflowers' follows the exploits of Iris Bloom, Sunflower Daffodil, Gardenia the cat, and Hettie the bird! The ongoing story, which involves Hettie the bird and Sunflower the young witch switching bodies, is still a work in progress, but I've gotten a lot of positive feedback on what I've made so far and thought you all might like to give it a read!
If you like these comics, I am still regularly posting stand-alone 'Witchflowers' comics — along with a lot of other comics — while I work on completing the main 'Witchflowers' story.
You can find my previous posts on Bored Panda here.
More info: sundaecomics.com | Instagram | Facebook | twitter.com
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I grew up in the '80s reading GI Joe comic books, Mad Magazine, and Calvin and Hobbes — and it was my love of comics that got me to start drawing. I remember struggling to draw arms and legs and stuff so I invented a cartoon character that was just a floating head. I called him Clumsy Joe and began drawing little comics where he would float around and knock things over. Then I came up with a rat character I called Rugby, and suddenly I had my first comic strip — Rugby & Joe. I was 11 or 12 at the time.
Come on. Who doesn't enjoy a good cookie in the middle of the night?
I created my first "real" comic strip in 2009 while I was in grad school (I have an MFA in illustration). It was a webcomic that poked fun at horror movies called Haiku Comics. My brother Robert wrote the haikus and I drew all the pictures. We put out three comics every week for about a year and a half, went to a couple of conventions, and even self-published a book collecting the first 100 comic strips. It was a lot of fun.
I've worked as a graphic designer for most of my career, so comics have been something I've had to do on the side. In 2019, I started sharing Sundae Comics on social media and working to build a following. I now write and draw Sundae Comics full-time and hope to spend the rest of my life making comics.
This comic precedes the one where the bird and the young witch swap bodies, right?
I named Sundae Comics after the Sunday newspaper comics I grew up reading. While a lot of the comics are joke-driven, my original concept for the strip was that I wanted it to feel like reading the comics pages in the Sunday paper — sometimes it might be funny, sometimes heartwarming, and every once in a while there might even be a serialized adventure story or melodrama. The format of the comic has given me a lot of freedom to experiment and continue to push myself as a cartoonist.
Witchflowers is the first ongoing story to find success in Sundae Comics. I wrote and drew the first episode as part of the 2021 Inktober art challenge — the word prompt for the day was "crystals." In the comic, a little girl asks about the powers that crystals of different colors contain — and she's surprised in the last panel by the rainbow created by the clear crystal. The comic was an instant hit and my followers demanded more. So, I made more!
Witchflowers looks a little different from my other comics. Because I started the series during Inktober, an event meant to celebrate artwork made with ink, I chose to post them in black-and-white. The comics are all drawn on bristol board using brushes and dip pens — I add some grey tones to the finished art after I scan them into Photoshop. I really like the look of the black-and-white artwork and it seems the fans of Witchflowers do too. It gives the series a distinctive look that sets it apart from a lot of other comics.
While I will continue writing and drawing new Witchflower comics (probably forever!), Sundae Comics will still explore other themes and stories. In October 2022, I introduced a new series about a character called Tiny Dracula. (He's just like regular Dracula, but tiny and adorable.) I've also been publishing a slew of humor comics that poke fun at science fiction and fantasy tropes. Hopefully, I will have more new comics to share with the Bored Panda community soon!
"Caertain?! You want certain, hire yourself a witch. I'm just your cook." __LaTrine 404a5ce4db...f024f3.jpg
Hold on... is "this" and "forest" censored? Come on! How does that even make sense?!
It's really inspired by Terry Pratchett isn't it? In his Books "The Witch Triology" the old Witch explains if you're too long in an Animals Body, your mind is getting weaker till you think you are the Animal you swapped Bodys with.
I’m afraid haven’t read much Terry Pratchett (I really respect his work but it’s just not my cup of tea) — but I appreciate the complement! This is just my imagination at work.
Load More Replies...Granny Weatherwax, explains it to Tiffany Aching when she borrows the body of a hawk
That's what I've been thinking, the whole "Borrowing" thing isn't just his, but there were two comics that are up higher that were almost exactly what he wrote. Couple of other bits, too.
Nope. Please consider the harm you do when you casually throw around these kinds of accusations. These words and ideas are mine.
I'm afraid I wasn't clear. I was trying to say that the whole "Borrowing' thing isn't just his (Sir Terry's) idea alone, but yes, there were two that seem like they could have been written by him. His idea of a naughty young witch paired with an older witch who really gets "headology" and has a familiar (a cat/bird) and the young witch gets stuck into the mind of a bird, and it's funny but also kind of serious. He's not the first to write about it, and the ideas are so ubiquitous among people who are into literary witches that the idea's sure to pop up. I see those similarities, as do others. It happens. And I've never seen him sketch anything whereas you are obviously an artist of the visual kind! Please don't be upset. I didn't mean to hurt you, and I'm so sorry that I did. I am sorry.
Thank you for clarifying! I put so much hard work into making these comics that I am sensitive to any suggestion that this work is not entirely my own. Yes, I agree, a lot of these ideas have been around for a very long time and I’m sure I’m not the first to think of some of them — but if there was any influence on my idea to have the bird and the girl witch switch places I would look toward more obvious influences like Freaky Friday and Sword In The Stone — movies I watched many years ago as a kid. (In one of my favorite childhood movies, Beastmaster, I think there was a character that could even see through a bird's eyes!). I do my best to try to make comics that feel like they are uniquely my own and are in my voice, but I can’t be aware of everything that’s ever been made. And while I know of Pratchett and know that having my work compared to his is a complement, I'm ashamed to admit I've never read his books and certainly would never plagiarize him or anyone else.
Beastmaster was one of my favorites as a kid, too, but I haven't seen it in many, many years! Here's an example of what I was thinking of: The Whomping Willow. The first time I saw the Whomping Willow was in 1983 when it had a major part in a not unknown film called 'Poltergeist'. I'm not pointing that at JK Rowling, because I simply can't recall how she wrote it, but when I saw it in the Harry Potter film, I was surprised because it was nothing like I'd imagined. It's much bigger (and sometimes much, much, much bigger) than the one in Poltergeist, but the idea there of a tree beating on people was also disturbingly utilized in the very first Evil Dead movie in 1981. That's what I meant about the idea being there, but more than one person may having it. It's like Multiple Discovery/Simultaneous Invention but the ideas are the Inventions. Again, I am so sorry. I never meant to harm you in any way and I'm so sorry. Thank you for being so polite, kind, and open-minded.💗
No worries! I’m glad we had a chance to clear things up. I am not so talented a writer as to completely make-up my own unique world of witches, so I am definitely using common story tropes and stuff I’ve learned over the years from folktales and popular culture. I also have tried to do some non-fiction research too — that’s where the idea for the witch’s ladder comic came from for example. Mostly I let my sense of humor be my guide as I write — these comics are just meant to be silly and fun!
I forgot to add that while I loved The Sword In The Stone, I've never seen any of the Freaky Friday movies, only small parts. As his works are rather voluminous, you can search for the books Sir Terry Pratchett wrote with the witches, I believe that there are six of them. They're all worth reading, he's got this way of writing that always has me smiling through most of his books, it reminds me of Douglas Adam's writing, and Neil Gaiman's.
Thank you so much! It makes me happy to hear you enjoyed the comics — it can be so easy to misunderstand people on the internet! A big part of what made these comics so “accidental” was that I had only planned to make 1 or 2 witch-themed comics for Halloween. I had never tried to write a story like this before and hadn’t expected to write one about witches of all things! But the response to the comics on Instagram was so positive that I just kept going and making it up as I went! I’ve been reading up about the history of witchcraft and modern day practices but I pretty much just look at non-fiction sources. I still haven’t finished the Witchflowers story yet, mostly because I’m still figuring out how to do it and want to make sure it’s good — it would be a lot easier if I was copying someone else, that’s for sure! But the only way I can improve as a writer and storyteller is to practice and keep writing so I’m doing my best all on my own.
These are so cute and wholesome! One or two of them were a bit confusing for me, but I still loved them! You are an awesome artist!
Unfortunately BPs voting system knocks them out of order, which makes the story hard to follow.
Could someone please explain why, in some comics, seemingly random words are written in a thicker font? I've often seen it, but never really understood it.
There are different ways to use bold text — one way is to bold words that might be spoken louder or with emphasis. Another way is to choose words that are important to understanding the text — names, places, verbs, etc. People read comics quickly and if everything looks the same they may be put off by a “wall of text.” Adding bold words helps break things up and add visual interest. At least, that’s why I do it.
These are so cute and wholesome! One or two of them were a bit confusing for me, but I still loved them! You are an awesome artist!
Unfortunately BPs voting system knocks them out of order, which makes the story hard to follow.
Could someone please explain why, in some comics, seemingly random words are written in a thicker font? I've often seen it, but never really understood it.
There are different ways to use bold text — one way is to bold words that might be spoken louder or with emphasis. Another way is to choose words that are important to understanding the text — names, places, verbs, etc. People read comics quickly and if everything looks the same they may be put off by a “wall of text.” Adding bold words helps break things up and add visual interest. At least, that’s why I do it.