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The Last Photos Of A 14-Year-Old Polish Girl In Auschwitz Get Colorized, And They’ll Break Your Heart
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The Last Photos Of A 14-Year-Old Polish Girl In Auschwitz Get Colorized, And They’ll Break Your Heart

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Digital artist Marina Amaral has been colorizing historic photos for three years and recently updated the last images of a 14-year-old Polish prisoner in Auschwitz. Breathing life into the black-and-white pictures, Amaral managed to visually emphasize the tragic past of Czeslawa Kwoka.

“It was very hard to stare at her face for so many minutes knowing what happened to her,” Amaral told Bored Panda. “I wanted to give Czeslawa the opportunity to tell her story, which is [also] the story of so many other victims.”

“It is much easier to relate to these people once we see them in color. We understand what she and millions of others went through better once we see her bruises, the cut on her lip and the red blood on her face. The Holocaust did not begin with the mass killings. It began with the rhetoric of hate.”

Originally, the images were taken by Wilhelm Brasse, better known as the “famous photographer of Auschwitz concentration camp” who was also the prisoner there during World War II.

“I distinctly remember [the] picture of this particular girl inmate,” he said in an interview. “It’s because she looked so young, so disarmingly girlish.” When she arrived at the camp, she couldn’t understand what was being said to her. “So this woman Kapo (a prisoner overseer) took a stick and beat her about the face. This German woman was just taking out her anger on the girl. Such a beautiful young girl, so innocent. She cried but she could do nothing. Before the photograph was taken, the girl dried her tears and the blood from the cut on her lip. To tell you the truth, I felt as if I was being hit myself but I couldn’t interfere. It would have been fatal for me.”

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Czeslawa was one of the “approximately 230,000 children and young people aged less than eighteen” among the 1,300,000 people who were deported to Auschwitz-Birkenau from 1940 to 1945. She was transported from Zamosc, Poland, to Auschwitz, on 13 December 1942. On 12 March 1943, Czeslawa Kwoka died at the age of 14; the circumstances of her death were not recorded.

More info: marinamaral.com | Facebook

RELATED:

    Czesława Kwoka was 14 when she was sent to Auschwitz – the infamous Nazi death camp

    Image credits: Marina Amaral

    Digital Colorist Marina Amaral decided to bring this heartbreaking moment back to life in color

    Image credits: Marina Amaral

    The original photos were taken by another inmate in the camp as part of the project to ‘document’ those taken to the death camp

    Image credits: Marina Amaral

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    Czesława was sat in front of the camera mere minutes after she was beaten by a female prison guard

    Image credits: Marina Amaral

    “She cried but she could do nothing. Before the photograph was taken, the girl dried her tears and the blood from the cut on her lip”

    Image credits: Marina Amaral

    With fresh blood still on her face, the last images ever taken of Czesława Kwoka are a stark reminder of the attrocities that happened there

    Image credits: Marina Amaral

    There are plenty more historic photos colorized by Marina Amaral, like the Burning Monk

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    Image credits: Marina Amaral

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    A Victim Of American Bombing

    Image credits: Marina Amaral

    English Orphan In London, 1945

    Image credits: Marina Amaral

    A French Boy Introduces Himself To Indian Soldiers

    Image credits: Marina Amaral

    Abraham Lincoln

    Image credits: Marina Amaral

    Airmail Pilot

    Image credits: Marina Amaral

    Broad Street, New York

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    Image credits: Marina Amaral

    Elvis Presley, Priscilla Presley And Lisa Marie

    Image credits: Marina Amaral

    Three French Boys Looking At A Knocked-out German Panther Tank

    Image credits: Marina Amaral

    John And Jacqueline Kennedy

    Image credits: Marina Amaral

    Inmates At Wobbelin Concentration Camp

    Image credits: Marina Amaral

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    Image credits: Marina Amaral

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    Image credits: Marina Amaral

    Grigori Rasputin

    Image credits: Marina Amaral

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    Image credits: Marina Amaral

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    Image credits: Marina Amaral

    Winston Churchill

    Image credits: Marina Amaral

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    Ilona Baliūnaitė

    Ilona Baliūnaitė

    Author, BoredPanda staff

    Read more »

    I'm a Visual Editor at Bored Panda since 2017. I've searched through a multitude of images to create over 2000 diverse posts on a wide range of topics. I love memes, funny, and cute stuff, but I'm also into social issues topics. Despite my background in communication, my heart belongs to visual media, especially photography. When I'm not at my desk, you're likely to find me in the streets with my camera, checking out cool exhibitions, watching a movie at the cinema or just chilling with a coffee in a cozy place

    Read less »
    Ilona Baliūnaitė

    Ilona Baliūnaitė

    Author, BoredPanda staff

    I'm a Visual Editor at Bored Panda since 2017. I've searched through a multitude of images to create over 2000 diverse posts on a wide range of topics. I love memes, funny, and cute stuff, but I'm also into social issues topics. Despite my background in communication, my heart belongs to visual media, especially photography. When I'm not at my desk, you're likely to find me in the streets with my camera, checking out cool exhibitions, watching a movie at the cinema or just chilling with a coffee in a cozy place

    What do you think ?
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    just a thought!
    Community Member
    6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    It gives me goosebumps just to think about what the girl and everyone else in the concentration camps has to go through... Some things can never be forgotten...

    stellermatt
    Community Member
    6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    when they're in black and white they're so powerful but it's easy to distance yourself from them as they see like they're from such a distant past, but the addition of colour reminds us that these events were not so long ago and somehow even more real. powerful stuff.

    Kathi Keegan Chang
    Community Member
    6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    I was struck, also, by the b/w ones vs color. The varying gray tones openly reveal the emotional suffering/ vs the more contemporary look of same photo, nearly, both take me to completely different "places" in reaction. "Migrant Mother" really hits me, as I see the mismatched and tattered socks on baby, the dirt on all, revealing the suffering mother and children, and last of all, the hopelessness and resignation on Mom's face, unable to even feed her children freely. Lots of Voices to hear.

    Load More Replies...
    Just Amiable
    Community Member
    6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    Remove color, add color, distort them, doesn't matter because it will turn your stomach either way knowing how much suffering people went through, amazing job on the photos, I think they are still just as powerful when you really look at each one in both color and no color though.

    Load More Comments
    just a thought!
    Community Member
    6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    It gives me goosebumps just to think about what the girl and everyone else in the concentration camps has to go through... Some things can never be forgotten...

    stellermatt
    Community Member
    6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    when they're in black and white they're so powerful but it's easy to distance yourself from them as they see like they're from such a distant past, but the addition of colour reminds us that these events were not so long ago and somehow even more real. powerful stuff.

    Kathi Keegan Chang
    Community Member
    6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    I was struck, also, by the b/w ones vs color. The varying gray tones openly reveal the emotional suffering/ vs the more contemporary look of same photo, nearly, both take me to completely different "places" in reaction. "Migrant Mother" really hits me, as I see the mismatched and tattered socks on baby, the dirt on all, revealing the suffering mother and children, and last of all, the hopelessness and resignation on Mom's face, unable to even feed her children freely. Lots of Voices to hear.

    Load More Replies...
    Just Amiable
    Community Member
    6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

    Remove color, add color, distort them, doesn't matter because it will turn your stomach either way knowing how much suffering people went through, amazing job on the photos, I think they are still just as powerful when you really look at each one in both color and no color though.

    Load More Comments
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