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I recently shared a photo I'm proud of on Instagram. Reactions ranged from very positive to those denying my work the title of “a photograph,” calling it “computer graphics,” or “photo-graphics.” This got me thinking. Do people really understand the concept of photography art and why are they so adamantly against photo manipulation?

I became passionate about creative photography after the birth of my twin daughters Annabella and Juliette; my little kids inspire me every day in my work. Through photography, I strive to enter the world of my two children, to grasp all the childhood whimsies, and to recreate these magical moments that we all look back on and smile. This means using whatever photographic tools will get me closest to that vision. Photo editing is just one of those tools.

Photography was invented over 180 years ago, but it's only with the relatively recent invention of digital editing software that creative photo manipulation has become the subject of popular controversy. Really though, this just shows our lack of awareness of the history of photography: image manipulation didn't start with Photoshop. In fact, it's always been an essential part of what photographers do.

As I dug a little deeper, I came to realize that art and news photographers have been manipulating their photographs since the very first days of photography. So the argument that a particular image is less of a photograph because it has been retouched didn't seem at all convincing to me. If we started ruling out retouched and photoshopped images from the category of photographs, we would be left with not a single photograph in the world.

Since the invention of photography, image manipulation has been a key part of it. The 19th-century photographers liked to call it “removing imperfections” from the shot, and they did it by painting directly onto the glass-plate negatives. Sometimes, an entire person would be “painted out”. Moreover, they would combine multiple frames in the darkroom to add dramatic elements to their stunning pictures.

Similarly, most new photographs, made over the course of the last century, will have been cropped, dodged, burned, and even painted to some degree. The photographer does this in order to better illustrate the story in the paper. Even the snaps in the family photo album vary, depending on the film, the chemicals, and the color settings used. Most photos are certainly not simply neutral, un-manipulated snatches of the real world. They are rather a real-world story told in a beautiful way.

Sure, I can see why heavy use of Photoshop might be worrying in the area of photojournalism, but I do not consider myself a documentary photographer. Far from it. In fact, I think my work is a little like making a still movie. Image manipulation has always been a part of filmmaking too, but nobody ever suggested that a movie using a blue - screen or CGI is not a movie (cinematography?). There is art in applying these techniques as well. Thus, I will use whatever photographic tools will get me closest to my photo ideas.

The word photography literally means writing or drawing with light. The process of making an entirely computer-generated image - such as a digital illustration or animation - couldn't really be described as "writing with light." This contrasts sharply with my way of working: in simple terms, I make images using a box with a hole that lets light in - so they can definitely be considered "photo-graphs". The fact that I edit these images afterward using software doesn't change this. In any case, it's not fundamentally different from what people were doing in the darkroom over a century ago.

Now that I have tried to raise awareness about the history of and about photography in general, I would like to hear your opinion. How would you define photography? Please share your thoughts on when a photograph stops being a photograph. How much manipulation is too much manipulation?

More info: Instagram

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Chicago Kitty
Community Member
6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

I actually much prefer the unaltered photo on this entry. There's authentic, cheerful fall crispness about it that quite draws me in. I think this is lost in all the red tones applied in the altered photo and the rain effect comes off as very false. For some reason it reminds me of those rather tacky Sears Family Photo pics circa 1970's & '80's where the subject was placed in a champagne glass or something with a loved one in profile looming them. Again, just my opinion and the original photo is lovely in its own right.

Kerri Russ
Community Member
6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

Love that original photo... so cute and genuine. But the altered photo is too altered for my tastes.

manowce
Community Member
6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

the original is amazing, the second one is too red, the colour looks fake, so does the rain.

Kat K
Community Member
5 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

I like first photo very much, it has beautiful autumn feel and colours, if it´s unedited it´s very impessive

Glynis Dover
Community Member
5 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

I actually prefer the original, the colour in the altered one is too false x

Roy Powell
Community Member
6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

I also prefer the original. More realistic. If the leaves aren't really red, then why mess with it?

Martina Třešková
Community Member
6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

I love it, I'm obsessed with your colour palette <3 This is how I percieve the world too, and when I change a photography like this, I see it as a way to pass on the mood that I have in my heart when I see the scenery. The colours that I envision and the coziness of a moment. If anyone tells you they are too processed or something, so what? It's the way you create art. It's your style of performance. You don't change the people in them, you make the scene look as magical as you feel it. I'd LOVE to have a photo of me in this style. It's as if you were a painter and people would come to tell you that your paintings are too something. Bugger off, then, and don't buy them. So many people will love them and it's how the artist sees the world, that's what matters.

Mimis Nachbarin
Community Member
6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

Beautiful work, nice motiv, cute kids - too different pictures though.

Andrea Pichler-Coreth
Community Member
2 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

Das erste Bild finde ich schöner, es wirkt freundlich und hell. Das Grün ist definiv mehr mein Geschmack. Die Stimmung ist gut eingefangen

Adharsh K.a
Community Member
3 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

😱😱😱😱all photos are sooooooo incredible 🔥🔥🔥😱🤩🤩

Maggie Dougherty
Community Member
6 years ago DotsCreated by potrace 1.15, written by Peter Selinger 2001-2017

The original is so much better. To me. This is too much photo shopping for me, just saying!

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