Anton Thomas’ approach to maps is one of the most unique and beautiful ones out there. The Australia-based artist hand-draws them in meticulous detail with only a pen and colored pencils. His giant map of North America took him nearly 5 years to complete and was recognized as one of the best maps of 2016 by National Geographic.

Naturally, we were curious to know what initially sparked his interest in them. He told us, “I was born and raised in New Zealand's South Island, surrounded by beautiful landscapes. This geography influenced my love of maps. 

The places around us were so interesting, so rich in mood, emotion, and grandeur. I would see fictional fantasy maps in books or video games, and I loved the way geography was displayed so expressively. But then I would look outside at New Zealand, and realise I was somewhere far more amazing than fantasy. And it was all real!

From childhood, maps helped me understand reality, fall in love with the world, and instill a sense of adventure. And combining maps with illustration was a bridge between science, art, and storytelling.”

What inspires his distinct method of cartography is a love for the vast planet and all the amazing places it holds. Therefore, he strives to create maps that give off the feeling of what it’s like to be at a certain location. “Maps allow you to show this at any scale, and art allows you to bring it to life,” he adds.

Even though his maps are known for their illustrations, he’s passionate about ensuring their graphic accuracy as well. He tells us, “I want to create artistic maps that are also great educational resources. I believe art is one of the best ways to communicate science, so about 30% of my labor is pure research. When preparing a new map, I will first choose a projection - then trace that outline accurately on the drawing paper.

Taking his ‘Wild World’ map of nature as an example (which took three years), he further shares its creation process. “I chose the Natural Earth projection, printed a high-resolution base map at the drawing size, then stapled it to the back of the art paper. I then traced all the coastlines, rivers, and mountain ranges with a light pad (a tracing tool).”

When the framework is completed, he then goes region by region, continent by continent, researching and learning about the wildlife and physical geography of each place. “Our world is so complex, so filled with information, that a cartographer's job is often to choose what NOT to draw. What to omit. So it's helpful to have rules and conventions with each map, to help select the data and stories you wish to tell. Once you create these guidelines and filter out some of the noise, it's easier to see your creative opportunities,” Thomas says.

We were also interested to know what he thought about the future of maps. He told us, “Maps are much more fundamental to our lives than we realise. Billions of us use map apps, daily. The entire field of health & medicine is across a map of the human anatomy. As long as there are different elements across a space that need representation, there will be maps.”

Even in the hypothetical world where everything would be managed by AI and there would be no need for humans to create cartographies, Thomas believes that they will retain their aesthetic, historical, and storytelling value.  “We did not stop painting when the camera was invented,” he adds.

“This has already been proven to be true,” he further explains. “Just look at the transition in recent decades: we no longer have to unfold road maps to plan a trip, running a finger along roads, trying to remember turnoffs. We simply enter an address in our phone and press Go.

Yet the demand for wall maps has actually become stronger. Why? Because maps are not simply tools or niche curiosities, they are one of the most fundamental methods of storytelling and communication we have. We yearn for their breadth and depth and beauty. Just think: in how many art forms can you display the whole world (albeit simplified)? We love maps because they tell the story of places, and places are fundamental to who we are.”

Nowadays, with the right tools, maps can be manipulated to present any information, which makes them that much more interesting and multifunctional. The majority of the maps we see on this list are cartograms that use some statistical data, such as population, survey results, or natural phenomena, and combine it with geographical location. 

While regular or topographical maps prioritize geographical accuracy in terms of shape, size, and location, cartograms rescale map regions to statistical data and try to maintain geographical features as far as possible. Besides, they are a powerful tool for presenting information effectively and raising awareness of important issues like substance abuse or world poverty. 

Since they combine statistical and geographical information, they can also provide insight into patterns and trends in the world around us. Combining this with their aesthetic appeal makes them a great supplement for information in newspapers, magazines, and textbooks.

This kind of visualization has been used for many years, with the first reference to it dating back to at least 1870. The first specimen of its kind was published in 1876 by French statistician and geographer Pierre Émile Levasseur, who created a series of maps representing European countries as squares. They were sized and arranged in order according to their area, population, and even national budget. 

He created them as teaching aids, helping children realize the size of countries and their certain characteristics. However, his technique wasn’t able to catch on, and only a few similar maps appeared in many years. The following notable development was made by Hermann Haack and Hugo Weichel, who presented election results for the German Reichstag in 1988. This time, creations alike soon emerged in the US, where they were introduced in the popular media after 1911.