Playing with paradoxes and mixing-up real environments with surreal interferences is the most fun during my ordinary day life.
When I walk down the street, I shoot anything that catches my attention, creating an immense archive of photos. The creation of a new dreamscape happens at a later stage in the concept: thanks to my pool of images, the editing process is then almost immediate through the use of iPhone apps like PsTouch, iDesign, Superimpose, MatterApp e Mextures.
My influences are a chimerical blend of the metaphysical imagery in De Chirico with a love for Bauhaus geometry and the pop culture of Warhol and Lichtenstein all with the addition of some sci-fi retro.
I love that anyone can enjoy a ride in my amusement park. Just like going on a roller-coaster!
More info: Instagram
The bridge adjusting to the water, water, water, water the level inside will rise, a fallen monument lies
Welcome to tomorrow
The most predictable failure
Software failure – press left mouse button to continue
Utopia of harmony
In search of Wowee Zowee
But what if..
Reading fairy tales with Delia my little niece
Five Faces of Modernity
Psychological disorders of a magnetoresistor
Connoisseurs of empirical evidence
The complex of ethical and moral principles of a power button
The set of all those sets that do not contain themselves
Evening breakfast with Supertramp
Another you before another dawn
In bloom
And at once I knew I was not magnificent
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Share on FacebookThis panda is simply super! Probably the best "photo-imagery" panda i have ever seen in my 73 years of Rio de Janeiro-based lawyer panda.
Uhhhhhhh gosh! Totally flattered my friend Thank u so much
Load More Replies...I mostly use iphone apps, like superimpose and pstouch
Load More Replies...This panda is simply super! Probably the best "photo-imagery" panda i have ever seen in my 73 years of Rio de Janeiro-based lawyer panda.
Uhhhhhhh gosh! Totally flattered my friend Thank u so much
Load More Replies...I mostly use iphone apps, like superimpose and pstouch
Load More Replies...
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